- 518
- Draith
I just got through reading this supposed exclusive info on GT5 and none of it is new if you read GTPlanet articles and forums. Sorry, it only just arrived in Australia, I searched for it here and didn't see a thread on it, so here goes...
I am very concerned that Sony / Polyphony are already putting the media that they have influence over into damage control before the release of GT5.
The article repeats the point that Gran Turismo looks better than reality and justifies it with comments that GT5 lighting is better than reality because it is frozen at a perfect point in time which happens only once a year:
"The way the sun shines, reflects off something, the way it lights scenery - we seldom have the opportunity to see what we consider 'reality' under the best and most aesthetically pleasing conditions." - Translated quote from Kazunori Yamuchi
"Every time we go out to the circuit and take photos of cars, we get that same impression again. When you see a race on TV, compared to a race in a game, you realise that the reality isn't as shiny or pleasant as the game. However, these 'best conditions' do exist. They happen every once in a while. Maybe, once a year, you'll be watching a race on TV, or you'll be outside, and a cloud will move in an ideal direction, and the sun will shine down at a perfect angle, and maybe just for a moment you'll have this beautiful scene in front of you.
Games... like Gran Turismo, have something of a duty to present the player with the best and most beautiful parts of reality. So our game looks 'realistic' only if you consider reality to only ever look this beautiful for short periods of time. We work hard to represent these rare conditions in our games." Translated quote from KY
"Games like Gran Turismo have a duty to present the most beautiful parts of reality" - Inline bold re-phrasing of KY's comment
This in my mind denies any real time day night cycle, or dynamic weather.
Where is the beauty of a a sunrise, or a sunset taking place, the shift through beautiful red and orange hues as it becomes dusk, or into the cold blues of night, or that moment when the dark clouds move on and the sun gloriously shines down drying a wet track?
I am very concerned that Sony / Polyphony are already putting the media that they have influence over into damage control before the release of GT5.
The article repeats the point that Gran Turismo looks better than reality and justifies it with comments that GT5 lighting is better than reality because it is frozen at a perfect point in time which happens only once a year:
"The way the sun shines, reflects off something, the way it lights scenery - we seldom have the opportunity to see what we consider 'reality' under the best and most aesthetically pleasing conditions." - Translated quote from Kazunori Yamuchi
"Every time we go out to the circuit and take photos of cars, we get that same impression again. When you see a race on TV, compared to a race in a game, you realise that the reality isn't as shiny or pleasant as the game. However, these 'best conditions' do exist. They happen every once in a while. Maybe, once a year, you'll be watching a race on TV, or you'll be outside, and a cloud will move in an ideal direction, and the sun will shine down at a perfect angle, and maybe just for a moment you'll have this beautiful scene in front of you.
Games... like Gran Turismo, have something of a duty to present the player with the best and most beautiful parts of reality. So our game looks 'realistic' only if you consider reality to only ever look this beautiful for short periods of time. We work hard to represent these rare conditions in our games." Translated quote from KY
"Games like Gran Turismo have a duty to present the most beautiful parts of reality" - Inline bold re-phrasing of KY's comment
This in my mind denies any real time day night cycle, or dynamic weather.
Where is the beauty of a a sunrise, or a sunset taking place, the shift through beautiful red and orange hues as it becomes dusk, or into the cold blues of night, or that moment when the dark clouds move on and the sun gloriously shines down drying a wet track?
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