- 2,336
- Los Angeles, CA
- WRBWRXMAX
- Max Archer
I figured I might as well start a thread here. I shoot a bunch of stuff, but automotive is my serious genre, and it's what's most relevant to GTP. I just published my first article from the 2012 Monterey car week, so I can now post the pictures I used on forums etc.
This was the first time I'd used a 500 at Laguna Seca. I typed this post up for another photography forum, where people were asking about how I did with it, so some of the captions will reflect that.
All photos were processed using Nik Color Efex Pro 4.
1.

DSC_6106-Edit.jpg by maximstensel, on Flickr
It's shots like this where I really appreciate the 500mm.
2.

DSC_2799-Edit.jpg by maximstensel, on Flickr
And the total opposite - 20mm on full-frame!
3.

DSC_2978-Edit.jpg by maximstensel, on Flickr
The 500 in action again. It took me a while to get used to panning with it, but I love the results, and the fact that I'm getting angles I've never been able to shoot at Laguna in the past.
4.

DSC_2312-Edit.jpg by maximstensel, on Flickr
Another wide shot at the start of the Cobra class.
5.

DSC_5708-Edit.jpg by maximstensel, on Flickr
This guy is so awesome.
6.

DSC_5191-Edit.jpg by maximstensel, on Flickr
I'm a sucker for fireballs. Especially rotary engine fireballs!
7.

DSC_7855-2-Edit.jpg by maximstensel, on Flickr
70-200 with a TC here - I decided to take a break from carrying the 500 while shooting the paddock, and ended up outside 11.
8.

DSC_4996.jpg by maximstensel, on Flickr
Another slow pan with the 500.
9.

DSC_6033-Edit.jpg by maximstensel, on Flickr
300mm (equiv.) from almost the same spot as the 500 shot above. Shows what a difference there is. I like the wider crop too, though.
10.

DSC_3118-Edit-Edit.jpg by maximstensel, on Flickr
I guess I should throw in at least one traditional pan. Here's one from the 70-200, up close, of a GT40.
This was the first time I'd used a 500 at Laguna Seca. I typed this post up for another photography forum, where people were asking about how I did with it, so some of the captions will reflect that.
All photos were processed using Nik Color Efex Pro 4.
1.

DSC_6106-Edit.jpg by maximstensel, on Flickr
It's shots like this where I really appreciate the 500mm.
2.

DSC_2799-Edit.jpg by maximstensel, on Flickr
And the total opposite - 20mm on full-frame!
3.

DSC_2978-Edit.jpg by maximstensel, on Flickr
The 500 in action again. It took me a while to get used to panning with it, but I love the results, and the fact that I'm getting angles I've never been able to shoot at Laguna in the past.
4.

DSC_2312-Edit.jpg by maximstensel, on Flickr
Another wide shot at the start of the Cobra class.
5.

DSC_5708-Edit.jpg by maximstensel, on Flickr
This guy is so awesome.
6.

DSC_5191-Edit.jpg by maximstensel, on Flickr
I'm a sucker for fireballs. Especially rotary engine fireballs!
7.

DSC_7855-2-Edit.jpg by maximstensel, on Flickr
70-200 with a TC here - I decided to take a break from carrying the 500 while shooting the paddock, and ended up outside 11.
8.

DSC_4996.jpg by maximstensel, on Flickr
Another slow pan with the 500.
9.

DSC_6033-Edit.jpg by maximstensel, on Flickr
300mm (equiv.) from almost the same spot as the 500 shot above. Shows what a difference there is. I like the wider crop too, though.
10.

DSC_3118-Edit-Edit.jpg by maximstensel, on Flickr
I guess I should throw in at least one traditional pan. Here's one from the 70-200, up close, of a GT40.