tha_con
Seriously, my little cousin, who is 13, understood this film.
I understood the film perfectly well thank-you.
tha_con
If anything you ruined the film for yourself, not others.
I wasn't trying to ruin this film for others. You still aren't listening to what I'm saying. But that's okay, being Prime means being patient!
When you talk about the "realism" of a particular film, understand there are two types of realism. There is the realism of the concepts and ideas in the film (you could call this "believability"), and there is the literal realism of how "real" the special effects appear - and ultimately, how well they do their job of convincing the audience to lose their grip on reality for a couple of hours and believe in the film. You see, the latter is necessary for the former to be successfully pulled off.
When I knock the fog in Silent Hill for being incredibly artificial-looking, I am knocking the literal realism of the special effects, and because they failed at times in this movie, it made me hesitant to believe in the concepts and ideas of the movie (i.e. the supernatural elements suck as ghosts and demons and dead souls, etc.). Because of this hesitation - and it is slight for Silent Hill, I'll admit that - the movie doesn't pull off what it intends to quite so well. The same thing can be said about the rampaging dinosaurs scene in the remake of King Kong. It was somewhat poorly done CGI, and as a result no one I know who's seen the movie bought into that scene. Instead of being lost in the moment they pulled back. It would be an entirely different situation of people were to say, "Come on, dinosaurs alive on some uncharted island?" or "Yeah right, a 15-foot gorilla and a T-rex fighting." If that were the case, the audience would be attacking the first type of realism in a movie, namely the believability of the ideas and concepts being put forth in the film (such as dinosaurs and giant gorillas and oversized insects alive and thriving on a mysterious island). And
then you would have a legitimate beef by countering with the observation that when watching a movie you are automatically expected tolet go of your beliefs and get lost in the magic right from the opening credits. But that's not the case, either with King Kong or with Silent Hill, and if you can't see where I'm coming from you're absolutely, hopelessly stubborn and I cannot teach you anything.