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I bought the Artist In The Ambulence album. I think its cool. Anyone agree with me?
Originally posted by powripper
crazy story: I was just looking at a CD on the computer table, and I was wondering whos it was, the CD is "Thrice - artist in the ambulance" and just as I was thinking about it...I stumbled across this thread!....wowzers!
never listened to it yet...and songs you recomend listening too??
thrice.netThursday, Jun 16, 2005 by Dustin
Hello again. We have decided on a title for the new record. It will be called "Vheissu." The following is a very transparent look at the reasons for choosing this title, because it is pulled from an email I wrote to Nick our manager and Dave who is doing the art for the record.
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We have decided to name the new record, "Vheissu," and I will attempt to summarize why.
The one thing we knew was that we wanted to have a one word title. I brought Vheissu to the table a long time ago because I had always thought it was a beautiful word, and it had no definate meaning in the book it is from (V by Thomas Pynchon, though that is not the word's origin), but was more a loose collection of myths. Something else that I think we all appreciated about the name, is that it is not loaded for most people. They will see it, or hear it, and it will not have any meaning right away, and therefore it can simply come to represent the songs on this record and to title them without coloring them, almost as a number would. But then beneath the surface, there are a lot of interesting, if obscure, references to Vheissu in the book (and in critiques of the book) which create a general sense of mystery, which is something we all value I think. Without going to deeply into these references, these are some of the meanings which we have extracted from them.
One of the references speaks of Vheissu being a code name for Vesuvius, the volcano. Virgil cites Vesuvius as the entrance to the underworld, and in the book this is fleshed out and it is hinted at that there is a ancient race of people, who have access to underground tunnels that lead underneath all nations of the earth.
Riley noted how he felt that we are now (and always it seems) standing at the verging of many different tunnels or pathways that lead to completely differenct places. Riley named this phenomenon "Standing at Vheissu," which the more I think about seems to hold the same sentiment as Robert Frost's poem, "The Road Not Taken," but with the darker imagery of underground laberynths (and who doesn't like underground laberynths.) In the poem, the speaker chooses a path, and laments the knowledge that he will probably never be back at this point, to make a different decision, or to see where the other path led, but notes that his decision will have "made all the difference," though what difference no one will ever know.
Two other ideas stuck out to me. One being that I see the tunnels underneath us all, as a metaphor for another reality that is quite close to us, but without our knowledge of it most of the time, ready at any moment to break though and interupt our ideas of what reality is. A metaphor for the possibility or miracles in short. In the book it is said of the tunnels that "below the glittering integument of every foreign land there is a hard dead-point of truth."
Also I liked one critics etymological dissection of the word Vheissu when he says this. "If "Vheissu" encodes anything, it is a pun--"Wie heisst du?," which is German for "What is your name?" or "What are you called?" This seems appropriate since one of the themes devoloping in my lyrics for the record is the ways in which we define ourselves. I think a key to who we see ourselves as is names; both given and those we give ourselves, both domestic and other wordly. The ways in which we define ourselves and ultimately live are, I think, heavily influenced by the names we recieve, and the names we give to others.
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Hopefully this sheds some light on the reasons for choosing Vheissu. Since we got it from print we really don't know if there is a correct way to say it, but we say it "vee-sue." There is a lot more out there to dig through if you want. Also, as a warning, the book "V" is very very strange, and not a very fast read.
lovedustin
PhameWRCvheissu will not dissapoint...it doesnt sound like any of their old stuff in particular, the single "image of the invisible" is their most "catchy" song...but the whole album is really good...if any of you pick it up when it comes out...(oct 18)" between the end and where we lie" and "red sun" are reaaaaaaaallly good... and no.. i did not download the album.
Thrice via MyspaceHey Friends,
Sorry for the back to back bulletins but we just saw this review from Chord Magazine and wanted to share it with you.
Enjoy,
Thrice
http://www.chordmagazine.com/issue/...ead_review.shtm
Vheissu
[Island]
[Thrice get textured and deliver OC's OK Computer or White Pony. Fans of Radiohead and Deftones take note.]
Orange County has a distinct scene, style and sound. Metalcore runs rampant in that region of the country. Breakdowns are aplenty, and inky black eyeliner and mop-top hair are all the visual rage. But native sons Thrice have never fallen in line with their geographic peers. There is a clear and present demarcation between Thrice and the locals.
With their new album, Vheissu, it's as though Thrice have drawn a longer, thicker line in the sand and refuse to let anyone cross it, further separating themselves from anything trendy, 'core, and common. Vheissu, which takes its name from a work of literature and is pronounced "vee-soo," follows the same stylistic arc as Radiohead's OK Computer or the Deftones' White Pony. And if Thrice and label Island play their cards right, this album could have the same career-defining commercial success as OK Computer and White Pony.
An abundance of trance-y, mellow, and downright melancholic moments dot the Vheissu landscape - hear tracks like "Atlantic," "For Miles," and the haunting "Music Box" - but Thrice haven't completely abandoned the tense bluster of their past. Frontman Dustin Kensrue gives his lungs quite the workout, and guitarist Teppei Teranishi knuckles down on his axe, but these moments are strategically placed, well-written, and not overblown. The hard, charging moments on Vheissu serve to make their points, and move on to more challenging and ultimately more musical, less raging parts.
So Thrice diehards, sleep well, because the group still rocks on Vheissu, namely on "Hold Fast Hope," "The Earth Will Shake" and "Image of the Invisible." With this album, Thrice aren't afraid to take some risks and flex their creative muscles. It's like the cloud of Radiohead's OK Computer hung over the boys' heads when they wrote this record. Lush, pretty, clean singing and atypical textures and structures abound on Vheissu; there is something for all factions of punk rockers, indie rockers, and hipsters alike. Here's to hoping the band can retain their current audience, as well as find a new one, because this is one record that shouldn't go unheard.
-Amy Sciarretto
I dunno... after listening to Thursday and Brand New I feel like I've just listened to the same crap from one band. xD