Aww Hell No!

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hey........i know how to boycott them........go ahead and kill a skyline or 2.....im pretty sure you know how to by now;) :lol:
 
Originally posted by Shadow
hey........i know how to boycott them........go ahead and kill a skyline or 2.....im pretty sure you know how to by now;) :lol:

where my knife? I hope I don't find out where you live :lol:

I say boycot em by renting a uhaul and throwing all the people who want to see it in the back and leaving them in the desert, woods etc.
 
Originally posted by skylineGTR_guy
where my knife? I hope I don't find out where you live :lol:

I say boycot em by renting a uhaul and throwing all the people who want to see it in the back and leaving them in the desert, woods etc.

you can borrow mine if you can find me......heres a hint.....get rid of a skyline in a place cold enough to freeze your balls off...say antarctica? o damm i gave it away:lol:
 
Originally posted by Shadow
you can borrow mine if you can find me......heres a hint.....get rid of a skyline in a place cold enough to freeze your balls off...say antarctica? o damm i gave it away:lol:

well seing as I live in arizona anywhere other than here is too cold.
 
Originally posted by skylineGTR_guy
lol loser go find a sock :p

you say that for a joke but ive already got my crew sock....:lol:

just kidding though.......thinking about eva mendez more though:lol:

ANYWAYS BACK ON TOPIC......oh wait that was the topic right?
 
oohhhh yeahhh......it will probaly turn out good though because people are anticipating it like CRAZY!!!

oh well
 
dont push it.....ill go ahead and kill that skyline like i was planning to do earlyer:lol:

also.....im just saying that a movie like that RARELY sucks....i think
 
I don't understand why they have to keep re-introducing this film. The story line fell off a cliff once Vin Diesel left the actor's list. They need to re-evaluate their ability to make movies. The installations on the second movie we're terrible, at best.

My opinion is Universal should sit down and maybe choose a few good imports and maybe one or two domestics. Since this film is based on import racing on the streets, maybe they should base it off of the real thing, like with real cars, not hopped up NOS stockers. (that got away from me.)

They should set a due date that is more flexible and not listen to the public. Good movies are made with effort AND time. They should also re-think using the Skyline, a very high-reputation vehicle in the import world, as a pole dummy.

Well, that's my two cents.

Toyo
 
It would be nice if the third one was made to appeal to actual motorsports/automotive fans. So we see people competing in Autocross, drag, track and drift events. With cars that don't have 500 extra pounds of vynal and plastic on them. But street racing is teh cool!!11, so it will never happen.
 
Originally posted by toyomatt84
The story line fell off a cliff once Vin Diesel left the actor's list. They need to re-evaluate their ability to make movies.
Wait a minute - you're saying the movies got worse after Vin Diesel left?

Physically impossible.
 
Since we all know this movie sucks, what do you guys thing would make a good story line? make up your own version of the 3rd movie that would be goood and post it here. :D
 
they should ditch the whole import theme completely and go with pure american muscle. Arrrr Arrrr Arrrrr <<(tim allen grunt)
 
Originally posted by skylineGTR_guy
Since we all know this movie sucks, what do you guys thing would make a good story line? make up your own version of the 3rd movie that would be goood and post it here. :D

First it starts of with me buying one o these and not ricing the crap out of it.

MR2Cherry_s.jpg


:eek:

And then, I get writers block............

I think uh, i'll let someone else do the story.

Edit: ****, wrong user account.
 
Originally posted by skylineGTR_guy
Since we all know this movie sucks, what do you guys thing would make a good story line? make up your own version of the 3rd movie that would be goood and post it here. :D
Treatment: Fast And Furious 3: The Lame and the Ludicrous

Background music: Guns'N'Roses, Welcome to the Jungle

Opening: Long-distance helicopter shot as we cross the Bonneville Salt Flats. In the distance is some kind of huge ring.

Cut to: Dolly shot along a doorhandle-to-doorhandle line of visually-overmodified, shiny Japanese "tuner"cars. Shot is framed tight so no background is visible.

Back to: Helicopter as large ring resolves itself into a circle of all the cars used in both previous movies, plus dozens more like them.

Cut to: Fast-paced sequence of interior shots, CU, as numerous hands turn ignition keys. At least one turns key, then pushes pointless "giant red button" starter mounted on dashboard, causing notable delay in timing of sequence.

Cut to: Low dolly shot of rear of cars, highlighting polished stainless fart cans creating small clouds of dust; sound of engines revving.

Back to: Helicopter as it arrives and curves over circle of cars, tightening circle to focus on previously-unseen figure at center of circle. Long zoom in until figure becomes full-screen image of Vin Diesel in tight jeans and sleevless black T-shirt, typical Vin expression on face.

Cut to: Low, rear angle dolly shot as cars all launch, many spitting dust from front wheels. Loud sound of small-displacement engines with open exhaust furiously revving.

Back to: Helicopter as it continues to orbit over rapidly-tightening circle of cars: brilliantly shiny, luridly-colored rainbow followed/surrounded by low blanket of dust.

Jump to: CU of Vin as habitual sneer/grin suddenly disappears and he spins around; quick first-person shot of approaching cars looking like Spanish bulls charging toward him on all sides.

Back to: Helicopter as ring tightens to collision point, suddenly noticing a gap in ring of cars which is quickly closed; quick sequence as cars reach point of collision; at that exact moment:

Jump cut to: Static, medium distance shot from second helicopter, as all 100+ cars collide with terrific impact, crushing Vin and each other into scrap instantly. Normal speed sequence of cataclysmic impact, interspersed with cuts to slow-motion closeups of individual cars imploding/flying/exploding. This sequence should last upwards of 1 minute, and finish on slow-mo of ugliest-color, most-riced car sliding across desert as a twisted hulk, with various parts from other cars tumbling past in foreground and background. Final sequence to be timed to sync with ending solo/fadeout of "Welcome to the Jungle" as car comes to rest.

Back to: First helicopter as it pans around circle of wreckage; shot widens to include 2 cars parked side by side at edge of original ring; recenter and zoom in to show black Charger and red Mustang Cobra.

Cut to: Static eyelevel shot from front of two cars, showing drivers laughing. Music is over and fade into sound of laughing. Cars calmly roll forward and acclerate towards camera, passing on either side as they go out of frame. Sound of accelerating V8s; fade to black and roll credits.
 
Brilliant!! Make that right now! :lol: :D

The Lame and the Ludicrous!! :lol:
 
:lol: :lol: :lol: I go to class take a test and come back to read this. :lol: thats funny!

personally I don't think that the main character should have a skyline or supra or some super fast car. They should start out like all of us in some POS hand me down and have to work his ass of to pay for his non-ricer mods. the #1 rule of the movie is no Nitrous. nobody uses is and all these movies make it seem like some miracle mod that will turn a stock civic dx into a top feul dragster....rule #2 no neon or vinyl. rule #3 all cars must actually be able to do what they do in the movie so no jumping bridges, no floors falling out etc. rule#4 police dont have electro-car-shocker machines. rule #5 cars do not go 60 MPH in reverse. rule #6 no paul walker. rul #7 ther will be more rules. Now I need ot find a cast and some cars....
 
The second movie could have been written by my daughter's 2nd grade class and starred the cast of Will & Grace, and it still would have been better than the first F&F, based solely on the fact that Vin Diesel isn't in it.
 
As long as 'Brian O'Connor' doesn't move to Japan to do Drift-Racing ( :rolleyes: ) in the mountains Initial D style, I really could care less about 3Fast3Furious. If however what I mentioned above does happen, I think I may have to fly to California and kick some Universal Studio ass. As much as I love drifting, I'm so sick of all the Initial D crap and Drift-Racing and I hate to say it, but I really wouldn't be surprised to see it in the third F&F film especially with companies like APC being involved.


-Mark
 
Originally posted by Shadow
oohhhh yeahhh......it will probaly turn out good though because people are anticipating it like CRAZY!!!

oh well

Yeah, just like Phantom Menace turned out after all that anticipation...
 
Originally posted by vat_man
Yeah, just like Phantom Menace turned out after all that anticipation...


..............................damm you got me there...........

i must say though that 2fast2furious was better SIMPLY because eva mendez is in it........other than that it sucked.......paul walker and tyreese suck....plain and simple
 
Originally posted by neon_duke
Treatment: Fast And Furious 3: The Lame and the Ludicrous

Background music: Guns'N'Roses, Welcome to the Jungle

Opening: Long-distance helicopter shot as we cross the Bonneville Salt Flats. In the distance is some kind of huge ring.

Cut to: Dolly shot along a doorhandle-to-doorhandle line of visually-overmodified, shiny Japanese "tuner"cars. Shot is framed tight so no background is visible.

Back to: Helicopter as large ring resolves itself into a circle of all the cars used in both previous movies, plus dozens more like them.

Cut to: Fast-paced sequence of interior shots, CU, as numerous hands turn ignition keys. At least one turns key, then pushes pointless "giant red button" starter mounted on dashboard, causing notable delay in timing of sequence.

Cut to: Low dolly shot of rear of cars, highlighting polished stainless fart cans creating small clouds of dust; sound of engines revving.

Back to: Helicopter as it arrives and curves over circle of cars, tightening circle to focus on previously-unseen figure at center of circle. Long zoom in until figure becomes full-screen image of Vin Diesel in tight jeans and sleevless black T-shirt, typical Vin expression on face.

Cut to: Low, rear angle dolly shot as cars all launch, many spitting dust from front wheels. Loud sound of small-displacement engines with open exhaust furiously revving.

Back to: Helicopter as it continues to orbit over rapidly-tightening circle of cars: brilliantly shiny, luridly-colored rainbow followed/surrounded by low blanket of dust.

Jump to: CU of Vin as habitual sneer/grin suddenly disappears and he spins around; quick first-person shot of approaching cars looking like Spanish bulls charging toward him on all sides.

Back to: Helicopter as ring tightens to collision point, suddenly noticing a gap in ring of cars which is quickly closed; quick sequence as cars reach point of collision; at that exact moment:

Jump cut to: Static, medium distance shot from second helicopter, as all 100+ cars collide with terrific impact, crushing Vin and each other into scrap instantly. Normal speed sequence of cataclysmic impact, interspersed with cuts to slow-motion closeups of individual cars imploding/flying/exploding. This sequence should last upwards of 1 minute, and finish on slow-mo of ugliest-color, most-riced car sliding across desert as a twisted hulk, with various parts from other cars tumbling past in foreground and background. Final sequence to be timed to sync with ending solo/fadeout of "Welcome to the Jungle" as car comes to rest.

Back to: First helicopter as it pans around circle of wreckage; shot widens to include 2 cars parked side by side at edge of original ring; recenter and zoom in to show black Charger and red Mustang Cobra.

Cut to: Static eyelevel shot from front of two cars, showing drivers laughing. Music is over and fade into sound of laughing. Cars calmly roll forward and acclerate towards camera, passing on either side as they go out of frame. Sound of accelerating V8s; fade to black and roll credits.


I give this one the oz-car. brilliant, absolutely.

Cano
 
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