Duke
Quentin Tarantino blows. He's a one trick pony and that trick is not terribly entertaining.
If you took Oliver Stone's brain and cut it in half, then transplanted it into two different people, the left half would be Michael Moore and the right half would be Quentin Tarantino.
That means they are both half as smart as Oliver Stone - and considering how little respect I have for Oliver Stone, I have no repsect for either of his brain-impaired stepchildren.
I agree, that is damn good sig material.
As for QT: I enjoyed Kill Bill for its mindless violence and flippantly clever dialogue. QT does sometimes get so full of himself that it's tiring to watch some of his scenes.
The Matrix Trilogy: 1 was pretty nice, 2 was just too "Hey, we're successful! Let's make the most over-the-top action movie we can with the tons of money we've got", it didn't advance the story or franchise as much as it should have. 3 was not the best movie ever, but it got back on the right track... to the enjoyment of some and to the disappointment of others.
Revenge of the Sith is the best Star Wars made, so far. That's not saying much, as the only thing good about the first three films is Harrison Ford (It only seems so good in retrospect because there was nothing else like it at the time, also Harrison Ford seemed so good then because he's absolutely lost it nowadays.)
I DID enjoy Revenge of the Sith, as it was a well crafted movie for a Star Wars. The only extremely cringe inducing scenes in the movie were Natalie Portman's scenes with that dumb kid who plays Skywalker turned Vader... For the rest of the movie, you can turn your mind off and enjoy... for these parts, your mind turns back on and tries to work out how such a good actress can be so BAD in this role.
Sin City: Robert Rodriguez didn't really direct it anyway, did he? All he did was translate comic to video as seamlessly as possible. So all of the credit or blame for Sin City falls solely on the shoulders of Frank Miller. Miller is a genius of his genre. The over dramatic (almost like Japanese manga) and epicly heroic nature of his heroes is nicely contrasted with the human element he manages to work in.
This is the guy who made Batman cool back in the 80's. Who made the Justice League and Superman cool. He practically invented the "serious" Batman. Without him, they wouldn't be back on the big screen or in cartoons... they'd have been cancelled. His trademark cornball serious dialogue is both an adulation and a satirical poke at his own genre. The problem with Miller is, like so many other renowned comic writer/artist/creators, if you take him out of context, he sucks. Like Chris Claremont (of X-Men fame) sucked when he tried writing novels. Neil Gaiman is making a good go of it, I suppose, but he's not as impressive in novels as he is in comics.
Musician/Singers can't act. Actors can't sing. Artists shouldn't write, and Celebrites damn well shouldn't paint. Comics people belong in the comics, because anywhere else, they just seem damn silly.
And whoever made the Max Payne analogy... don't be silly. Frank Miller has been writing dialogue this corny since the time of Pong.