What movies have you seen lately? Now with reviews!Movies 

  • Thread starter Thread starter scentedsoap
  • 8,275 comments
  • 562,300 views
359143242.jpg


99 Francs (Jan Kounen, 2007) -- As it usually happens with Kounen's work, this movie is very visual and loaded with symbolism. I remember liking an older movie by him (Dobermann) which I've reviewed at least a couple of times here.

99 Francs is a movie about advertising, and as it usually happens, when you see a movie regarding your line of work, you tend to like it a bit more than the average person does. Thus, I loved this movie. It really shows the fun, stressful, colourful and frustrating aspects of the industry and why we love doing it. At the same time it does what many of us dream of doing: pissing off clients, doing what you want to do because you know it's the right thing to do rather than because the client want to show they 'know' something about real advertising. It also makes fun of the way clients can nitpick the stupidest of details just so they can say they're in control.

Truth is, little to none of the details in this movie may appeal to someone who doesn't work in advertising or in the creative part of marketing, but for someone who has had to argue with clients over absurd details and had to convince a 'square head' of why his mineral water should have a light green or blue background rather than a bright pink one because his 4 year old daughter smiled when she saw it, this is an awesome piece of work.

If you liked Fear and Loathing in Las Vegas, anything by Kubrick or Terrence Malick, you'll probably enjoy this one as well. There's a bunch of references to those movies and it's just made of win if you've ever had someone question your creativitity just because 'they don't get it'. And that's probably the reason why I'd give this movie a very personal 10/10
 
Just saw Avatar in 3D. For the first hour my eyes hurt, for the second hour my brain hurt, for the last 45 minutes I was waiting for the movie to just be over with. WAY to long for me, but visually stunning nonetheless. Plot3/10 Visuals over 9000/10
 
I often lurk this thread pretty much just to see what Tom Servo (Diego) is watching and his thoughts on the movies are, seems he has a similar taste as I do with a lot of movies and I have got many good suggestions from him (and others too)

Much appreciated 👍
 
Watched Paranormal Activity last Saturday evening thinking we (me & my GF) were going to get the scare of a lifetime from all the hype surrounding this movie. After watching this, I have come to the conclusion that this hype has been severely manufactured and blown out of proportions. Its more of a horror/comedy movie IMO and done very poorly. There is nothing scary about hearing noises and doors slamming when its in a movie in this form.... Now if it was a real world situation that was really going on and YOU were stuck in the middle of it I could understand it being scary... but laid out in the way its done here it just doesnt get the scariness right... You know when things are going to happen and that just ruins the suspense... It also very predictable and the characters come across as trying to be TOO REAL if you know what I mean... the man of the house turns out to be a real douche bag as the movie progresses and youre just waiting for him to get his just deserts in the movie. So all in all I found it VERY diappointing.... When it was done I looked at my GF and we both looked at each other like... , "Oh, was that all????" That should tell you enough :)

3/10 only because the youtube footage in this movie made me laugh... :) The people who saw it will know what Im talking about...

PS- I have also read that there are two endings to this movie... So I think that made a difference as well... I think I saw the cappier one of the two...
 
Last edited:
avatar_posters.jpg


Avatar 3D 👎👍

$230 million to make this movie but nothing allocated for writing. I'll start this review by discussing the 3D aspect of it. This is not the first "good" 3D movie I've seen, but it is the first major motion picture film I've seen in 3D. So I felt that that aspect deserved its own review.

The 3D Experience

My 3D glasses were cheap. They were shiny black frames with clear plastic lenses. They came in a new package wrapped in plastic, and were "recycled" after the film with the tagline "new glasses next time". So the idea is that you never have 3D glasses that anyone else had and you don't use a pair for more than one movie. That being said, I'll be happy to never seen those glasses again.

The shiny, reflective black frames bounced light into my eyes creating artifacts in the corners of the film. Now, I'm a videophile. I care a great deal about the quality of the image - so much so that I detest going to films at theaters without digital projectors. It's the reason it took me a year to shop for my television set and that I made a trip to Las Vegas just to see it in person. Artifacts in the corners of my eyes during a film that's supposed to be visually stunning is irritating to say the least - but the effect was not noticeable to anyone else I was with in the theater, so I chalk it up to me just being ultra-sensitive to imagery. None of my friends (who sat in the same place in the theater and used the same glasses) noticed the artifacts, but I'm confident that I would have in their place.

The 3D experience narrows the screen. This is again due to the glasses. They did not wrap around my head so I was unable to use my peripheral vision during the film - which is something that I normally rely on. This had the effect of making me feel like I was watching a smaller movie - not a desirable effect for a movie that is attempting to wow me with the epic size of its imagery.

The 3D experience narrows the screen... again. Because 3D pops out of the screen, something appears to be lost in terms of size. The closer the object gets to you, the smaller it seemed to be. To make sure I wasn't seeing things, I removed my glasses during part of the movie to compare the size of the actors on the screen with and without the glasses. They were definitely smaller with the glasses on. I'll note that I noticed this effect BEFORE I made the comparison, the people looked small to me. Again, nobody in my group noticed this but me.

The 3D experience was largely wasted by the film. I'm not sure if its a feature of 3D or simply the way this movie was shot, but I felt that the narrow depth of field contributed many times to a wasted 3D effect. Often the thing in the foreground was out of focus or the thing in the background was out of focus. I'm aware that this is done in 2D, but for some reason it was far more irritating when I was trying to focus on a drop of water in the foreground and simply could not focus on it until the camera did. When they do this in 2D it doesn't bother me.

That being said, the 3D contributed roughly zero to the grand forest or mountain views. Sweeping landscapes were laregly 2D. Small creatures, drops of water, sparks, etc. were the types of things that popped in 3D - but it didn't seem to contribute much to the film.

Overall, I was unimpressed with the 3D viewing of this film and am very interested to see it in 2D to compare. It seems like an excellent film with which to make that comparison. Something tells me that when the movie is unnarrowed I'll enjoy the sweeping landscapes quite a bit more. At the moment, I am still assuming that the new 3D craze is a temporary way to boost theater ticket sales and will eventually pass.

The Movie

I don't remember a film that I've had so many extreme thoughts about before. The writing was terrible... absolutely unapologetically terrible... in just about every respect. Now, don't get me wrong, it wasn't as bad as Episode II, but it did what it could to live up to that standard. However, the terrible writing was juxtapositioned with some very creative concepts and very impressive imagery. So part of me is left wanting to see more, and part of me wanted to turn it off. Perhaps the movie would have been better without sound.

The premise of the movie is weak. Even if you don't understand what the title means, I can tell you that the title of the movie is a fundamental concept in the film - and that the justification of the "Avatar" in the film doesn't work. Given that the most fundamental plot instrument is pointless, you can imagine how completely this movie unravels.

The themes of the movie are bad. Many movies fall into the trap of drawing an arbitrary line in technology and condemning all technology that comes after that line to be evil, and all technology that comes before that line to be good. This sort of hypocritical view of technology combined with an absolute refusal to illustrate the benefits of technology leaves the moral message of the film completely flawed. I'm still scratching my head trying to figure out how Hollywood liberals can idealize the lives of a people that refuse to acknowledge free will among women as well.

The storyline is paper thin. You can see right through it. You'll know the ending about 3/4 of the way through the film for sure, if not earlier - and I'm not talking about the general nature of the ending, you know that now. I'm talking about the specific details of the ending. You you know who's going to die from the moment they're introduced. It takes about a millisecond to distinguish an important character from an ancillary character. The motives of just about all of the characters absurd - especially the bad guys, who seem to be out for blood the whole time. They're all caricatures - not one of them is interesting in the slightest.

The acting generally isn't noticeable. I didn't see anything that I was particularly impressed with, and only once did I notice some terribly unconvincing acting. Unfortunately that happened to coincide with a very important scene in the movie. There is a moment in the movie commonly referred to as "the low point" in screen writing. This usually happens about 3/4 of the way through the film. You'll recognize it when everything seems to go the bad guy's way and all hope appears to be lost. Often there is some relationship drama sprinkled in for good measure around that time. When Avatar hits its low point, lots of CG characters get very sad - and their sadness is not convincing. Other than that, the acting was acceptable.

The movie was very creative. I noticed a lot of inspiration for this film. Pitch Black definitely had some influence. Princess Mononoke was also featured in a big way. The Matrix had some influence. I spotted plenty of Dances with Wolves, Medicine Man - and just about every other movie made about native populations interacting with technologically advanced foreigners. But despite the borrowed themes, there were some unique elements to the film and the overall result was done in a cohesive and interesting way. I was pleasantly surprised by a great deal of the Pandora environment. I wish that they'd gone into a more detailed justification of some of the creative biological elements that they rolled out - but it was still creative, even without justification.

Lots of visual appeal. Pandora was definitely a fun place to look at. Some of the visuals were added at the cost of realism, but the plot was so far gone that I didn't mind. The mountains, trees, waterfalls, and natives were all tons of fun to look at. Neytiri (the main alien chick) was also pretty friggin sexy, and they absolutely refused to cover her up throughout the film - which I have to say was an excellent decision. The battle scenes also had provocative imagery that was lots of fun. Overall I think the visual appeal saved this movie from being just about worthless. Without the visuals, it's a bit of a joke.

Conclusion

I didn't want to see this film in the theater. I reluctantly went because others wanted to see it. Once it was decided that we were going, it was a no-brainer to see it in 3D. I wanted to know whether it was pure hype or whether there was some substance to it. My 3D experience wasn't great, and I won't be excited to try it again. The movie itself is worth watching for the visuals, but you have to hold your nose through the dialog.

About the Reviewer

I'm a 29 year old engineer and have a strong bent toward the technical and science fiction content. I like a lot of clever dialog (eg: House M.D.), enjoy action movies, and am of capable of shutting my brain off for a fun movie that shouldn't be analyzed. I am generally not capable of ignoring gaping plot holes and nonsensical explanations for plot points.
 
and you didn't like The Big Lebowski... I think that should count. ;)

I'll read your review after watching the movie.
 
and you didn't like The Big Lebowski... I think that should count. ;)

I'll read your review after watching the movie.

There are no spoilers in that review, but there's certainly nothing given away by the parts in bold.
 
and you didn't like The Big Lebowski... I think that should count. ;)

I used to think that you had to be under a certain age to love The Big Lebowski, but Danoff was the exception that proves the rule, maybe.

I don't care how hip everything that follows is, basing a movie on the old "mistaken identity" shtick is an automatic shunt to epic faildom.
 
it's funny that you'd start a sentence on the grounds of un-hipness and end it up with such a hip phrase like 'epic faildom'.

I'm older than Danoff and I loved TBL, as did Touring Mars and I think we can find a few more. In either case, I'd go as far as calling it the best movie I've ever seen, and I've seen a lot of flicks.
 
I loved the Big Lebowski great film never seems to get stale, in fact I might watch it tonight
 
it's funny that you'd start a sentence on the grounds of un-hipness and end it up with such a hip phrase like 'epic faildom'.

No, I was saying that no amount hipness in the movie could save it from the lameness of the fundamental plot setup.

TBL was undeniably hip; it's just got a critical flaw caused by basing it on the one of the weakest, most hackneyed plot devices in the history of filmmaking.
 
From Avatar, it's interesting Danoff noticed so much knock on the technology. I didn't even notice that. What I noticed was more on politics, history. It reminded me of Native American's struggles quite a bit. I thought it was really good message for the kids. Not just in the political sense, but life in general.

Now, Big Lebowski. :lol: I loved it, too. One of the best comedy adventure flicks I can think of. I consider Jeff Bridges an pretty amazing actor. He has that range like Christopher Walken, or Alec Baldwin. And just to support Diego's case, a lot of people I know LOVE that movie as well. But even with such popular film, there will always be some who won't like it. Plus, it's really not for everybody with Big Lebowski.
 
TBL was undeniably hip; it's just got a critical flaw caused by basing it on the one of the weakest, most hackneyed plot devices in the history of filmmaking.
Filmmaking or storytelling in general? Even Shakespeare has used that plot device.
 
From Avatar, it's interesting Danoff noticed so much knock on the technology. I didn't even notice that. What I noticed was more on politics, history. It reminded me of Native American's struggles quite a bit. I thought it was really good message for the kids. Not just in the political sense, but life in general.

What's a good message for the kids? Live in the trees? Use bows and arrows? Nature is more important than technology?

...or are you just saying that killing people and violating property rights is bad.
 
From Avatar, it's interesting Danoff noticed so much knock on the technology. I didn't even notice that. What I noticed was more on politics, history. It reminded me of Native American's struggles quite a bit. I thought it was really good message for the kids. Not just in the political sense, but life in general.

I haven't seen Avatar but I have a few friends who have and one of them is as much a film buff as I am, and he told me Avatar is the kind of movie James Cameron loves to make, which is a huge budgetary and insanely SFX-filled simple love story.

a6m5
Plus, it's really not for everybody with Big Lebowski

I've always considered TBL to be a very worthy cult film. Just so happens I'm in the cult that follows it. But just as it happens with such films, some people will get it in a certain way, while others won't. It's like sopme people liking (even understanding) David Lynch's movies, while I despise them.

Filmmaking or storytelling in general? Even Shakespeare has used that plot device.

This. I can tell you of many other movies which are considered good that use even worse plot devices... which brings me full circle to my original comment on this same post: Avatar and Titanic are both, in essence, romance stories. I can tell it from a fact of Titanic, and from what I've heard of Avatar, though I'll reserve my judgement on it.

Now I'll be the first to say that I think Titanic was a crap movie, but it won a bunch of Oscars, so it must've been good enough.

What's a good message for the kids? Live in the trees? Use bows and arrows? Nature is more important than technology?

...or are you just saying that killing people and violating property rights is bad.

Love someone even if their skin is blue?
 
What's a good message for the kids? Live in the trees? Use bows and arrows? Nature is more important than technology?

...or are you just saying that killing people and violating property rights is bad.
Not at all. Read my post again. I'm not talking about the technology at all.

It was more on killing, violating, etc. What I observed in the story was preying on the weak, the defenseless, all in the name of what the authority tells you is righteous. I thought it was a obvious history lesson to the grownups, but is a good one kids could always use. 👍
 
I haven't seen Avatar but I have a few friends who have and one of them is as much a film buff as I am, and he told me Avatar is the kind of movie James Cameron loves to make, which is a huge budgetary and insanely SFX-filled simple love story.
I'm not even sure that he loves making those kinds of films, so much as he realizes that he is good at it. I mean, look at his pre-Titanic work. Many of those are films ten times more worthy of the awards Titanic (and now likely Avatar) received. I am even willing to go so far as to say that, in my opinion, The Abyss is his best entertainment work.

I have heard rumors, via my wannabe actor brother-in-law's Hollywood magazines, that Cameron only did Titanic because he wanted to dive on a shipwreck. Considering what he did after, that sounds believable. After Titanic he used his suddenly massive funds to do a lot of deep sea exploring for documentaries, and actually aid NASA in their xenobiology astrobilogy research by funding the technology for their deep sea biology research, helping verify theories that life can exist in areas where sunlight never touches, all in the name of a documentary, Aliens of the Deep. One of the best oceanic documentaries I have ever seen, I might add.

Actually, doing a quick check of IMDB and looking between Titanic and Avatar, there are a long string of deep sea documentaries that he has either produced and/or directed. I think it is obvious where his love lies. Judging by his comments leading up to avatar, I think he is also very much a technology buff, and now that he has the Hollywood backing to fund whatever he wants, he attempts to push the technology forward.

All that said, I am still not sold on 3D as anything more than a premium ticket price gimmick. One look at A Christmas Carole (which was otherwise good) can tell you that 3D only works if you have a lot of fast-paced action scenes or 3D abusing gimmicks (stuff flying "out of" the screen). No one wants to see some movie about sisterhoods and relationships in 3D at an additional ticket cost. That is said without having seen Avatar yet, but having seen many other films in 3D.



And now for my review of a film:

The Little Mermaid: New Orleans
The Princess and the Frog
(7/10)
When I first started watching this I thought that The Little Mermaid similarities were just an accidental case of uncreative writing, but then there was even a scene that looked suspiciously like Ariel's underwater home, including what appeared to be her father (Poseidon?) as the king, during a musical number. It was a brief cameo but it seemed as an almost obvious nod.

In short, a spoiled mermaid human princess prince is duped into trusting a witch voodoo priest and is turned into a human frog. This altered state prevents the princess prince from meeting and marrying a prince princess because the witch voodoo priest has replaced her him. While attempting to return to normal the princess prince learns an important life lesson, and realizes what is really important.

I think I made my point. The main difference in this story is that the voodoo priest doesn't replace the prince himself, because of a very brief mention that voodoo "rules" prevent you from using spells on yourself. So, he uses the prince's disgruntled servant. And a non-royal woman, in an attempt to reach her dreams, kisses him in hopes of having him help her, but she becomes a frog too.

It all takes place in New Orleans, and that makes way for a very excellent soundtrack that includes an incredible amount of jazz, including a number of scenes featuring the street musicians. It gives me hope to know that young girls will find out that truly good music exists outside of the Disney channel. The animation, although 2D cell (I'm unsure if it is true hand-drawn or not), is very well done and looks gorgeous, bringing back memories of Disney from years past.

In the end it loses points for a lack of creativity and a large amount of predictability. Pixar doesn't go by the happily ever after ending (which is great), but this non-Pixar Disney story does (hey it IS a princess story) and it even makes it happen despite some very sad (I heard people crying) events near the end. But an excellent soundtrack and animation style make this still enjoyable. So, if you have a daughter that wants to see it go ahead. The real bonus for those with kids is that I do not see this being as memorable as The Little Mermaid.
 
I'm not even sure that he loves making those kinds of films, so much as he realizes that he is good at it. I mean, look at his pre-Titanic work. Many of those are films ten times more worthy of the awards Titanic (and now likely Avatar) received. I am even willing to go so far as to say that, in my opinion, The Abyss is his best entertainment work.

I agree that The Terminator and Terminator 2 are among the most amazing sci-fi/action movies ever. And I'm not saying Cameron's a bad movie maker, just my impressions on Titanic and (possibly) Avatar. And since they're hiw most 'recent' works, it seems like the trend he's following. To a certain point, The Abyss was also a love story, though I liked it... up to a certain point... I'll reserve my review on The Abyss until I can put it correctly into words.
 
recposter.jpg


REC (2007)

A Spanish horror film recorded using shaky camerawork. Saw this with some friends of mine at dark, around 2 AM, in a friend's house. To be honest, it's very difficult to me to enjoy a film accompanied with friends, mainly because they tend to make jokes. Since we have a different accent than Spanish people, my friends tended to make jokes about it. But when it was time to get scared, boy, they did get scared. One of the few movies that scared the 🤬 out of me, helped mainly because of the atmosphere we were in (a completely dark room where the only light present emanated from the TV, with strange sounds coming from both the TV and the street outside). At first, the film doesn't seem interesting at all. But it gets progressively entertaining, and scary. Definitely recommended, specially if you understand spanish and only need to focus on the images instead of subtitles. 👍 10/10
 
To a certain point, The Abyss was also a love story, though I liked it...
It was not overbearing and was used to develop the characters, not distract the female audience from the fact that bad stuff is about to happen.
 
:lol:

I expected you to have seen it, but when I did a search, I came up with nothing. Of course, I would have enjoyed it more if my friends weren't making jokes most of the time.
 
recposter.jpg


REC (2007)

A Spanish horror film recorded using shaky camerawork. Saw this with some friends of mine at dark, around 2 AM, in a friend's house. To be honest, it's very difficult to me to enjoy a film accompanied with friends, mainly because they tend to make jokes. Since we have a different accent than Spanish people, my friends tended to make jokes about it. But when it was time to get scared, boy, they did get scared. One of the few movies that scared the 🤬 out of me, helped mainly because of the atmosphere we were in (a completely dark room where the only light present emanated from the TV, with strange sounds coming from both the TV and the street outside). At first, the film doesn't seem interesting at all. But it gets progressively entertaining, and scary. Definitely recommended, specially if you understand spanish and only need to focus on the images instead of subtitles. 👍 10/10

Ive seen the remake named Quarantine... Later learned that this was the original... Havent had a chance to see this one. So I was wondering if youve seen both... Because if this one is better, i'm going to have a look at this movie as well then...
 
Ive seen the remake named Quarantine... Later learned that this was the original... Havent had a chance to see this one. So I was wondering if youve seen both... Because if this one is better, i'm going to have a look at this movie as well then...
I thought they were both decent in different ways. I preferred the Hollywood for the better SFX, and the military/police firepower was much cooler in it. :sly:

I saw the Hollywood version first, then [REC]. Since the plot is pretty much the same, the second one I saw(REC), I got bored by pretty quickly. Unfortunately.
 
I thought they were both decent in different ways. I preferred the Hollywood for the better SFX, and the military/police firepower was much cooler in it. :sly:

I saw the Hollywood version first, then [REC]. Since the plot is pretty much the same, the second one I saw(REC), I got bored by pretty quickly. Unfortunately.

Ok... I guess i'll have a look to see if its like the Hollywood version...

The thing I didnt get in the Hollywood remake was the ending... Who was that woman, or thing that was up there? And how did she get there and stay there??? And the baby thing as well... From what I can deduce from the clues is that there was someone up there doing experiments and the woman or thing up in the attic was what was left of those experiements. This experiment then spread to the other people living in the building through one of the dogs... Could be wrong though... Anyone who's seen the film have any more info? :) This is also why I was interested in REC because maybe it would shed more light on that subject...
 
Alright, you guys have peaked my curiosity... I've just acquired Quarantine and will be watching it soon. I did however watch this one last night:

departures.jpg


Okuribito (a.k.a. Departures) (Yôjirô Takita, 2008) -- Winner of the 2009 Oscar for Best Foreign Movie, it's the story of a newly unemployed cellist takes a job preparing the dead for funerals. The movie starts out quite funny and with an air of mystery, developing the characters and making them appealing to the viewer, only to then drop into the dramatic part of the story. Still, I really liked it. The story seems approachable and it's charged with symbolism as many Japanese movies are, but at no time does it seem unplausible. The story, acting, music and photography are all very impressive. 9.5/10
 
I've read about that one. If it's out on DVD, I'm gonna have to make this one my next rental. 👍 Good critical review, excellent Diego rating(9.5!), I can't wait to see it. You know I'm not a fan of Japanese film industry, and this might be a rare gem for me to enjoy. :)
Ok... I guess i'll have a look to see if its like the Hollywood version...

The thing I didnt get in the Hollywood remake was the ending... Who was that woman, or thing that was up there? And how did she get there and stay there??? And the baby thing as well... From what I can deduce from the clues is that there was someone up there doing experiments and the woman or thing up in the attic was what was left of those experiements. This experiment then spread to the other people living in the building through one of the dogs... Could be wrong though... Anyone who's seen the film have any more info? :) This is also why I was interested in REC because maybe it would shed more light on that subject...

Check the bottom part of the "plot" section of this wikipedia page. I had forgotten the details, but they explain it very efficiently in there. 👍
 
I know this thread isn't for this but it shouldn't hurt to ask: I'm probably going to the movie theatre this weekend, do you think I should watch Avatar (non 3D) or Sherlock Holmes?

I don't think there's anything better showing right now.
 
Back