What movies have you seen lately? Now with reviews!Movies 

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This movie was excellent! One of the best movies I have watched in a while. 👍
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Also watched this. It was better than I expected.
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Mission Impossible: Ghost Protocol

👎👍

Bad, but not so bad that you'll hate yourself for watching it. The scene in the photo up there is pretty good (but not as good as it could have been), and otherwise there was a lot of eye-rolling and some plot that didn't make much sense. It lacked eye candy too, but there was something fun about it that made it not a total waste of time.

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Moneyball 👍👍

I hate baseball. It's one of the world's worst sports, and I've had to watch my fair share of it. But this isn't a baseball movie, it's just a very good movie. Lots of good acting, lots of good writing, and just a great concept behind the movie (which actually happened).
 
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Caché (a.k.a. Hidden) (Michael Haneke, 2005) -- A married couple is terrorized by a series of surveillance videotapes left on their front porch. This is probably one of the most satisfying movies I've seen in a while, filmed in a way that the viewer also feels as part of the action and is also left in the dark regarding the who and the why. It's the type of movie where you have to pay attention to every detail, which become a bit more untangled as the film progresses. It's the type of movie that stays in your mind, making you think of the different aspects coming into play, but where the actual subject isn't necessarily the placing of the cameras and the surveillance, but the feelings and reflections that arise from it. Brilliantly done movie. 8.5/10

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The Imaginarium of Doctor Parnassus (Terry Gilliam, 2009) -- This one's been a long time coming, since I got a faulty copy about a year ago and hadn't gotten around to see this Bluray version I got about 4 months ago. I have to say that given Gilliam's latest movies, I was also a bit reluctant to see this one; The Brothers Grimm really didn't movie me and Tideland was a bit too extremely weird for me, but this one is very much in the same vein as Brazil, The Fisher King and even Fear and Loathing in Las Vegas. The double life scenes where reality and "Imaginarium world" meet makes for a lovely parallel world idea which, sadly, made little sense and had me scratching my head and wondering WTF it was. But, on the otehr hand, Gilliam's movies are very much like this and it also looked nice to see him up to his usual antics. It's simply a movie that must be seen at least twice, with a high degree of originality and a deep dramatic meaning. In a sense, it's one of the movies Gilliam has made with full creative freedom and the budget to make it happen, much like it happened with Fellini's Amarcord. Very well acted by Heath Ledger and his stand-ins (who are better known than him, IMO) and excellent SFX. 9/10

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Midnight Run (Martin Brest, 1988) -- An accountant is chased by bounty hunters, the FBI, and the Mafia after jumping bail. It's one of the classic 80s movies by DeNiro, with the role that made him a comedy fixture with added sarcasm. It's a pursuit movie without the expected pursuits, but still remains very fun. Over time it maybe hasn't become one of DeNiro's best movies, nor a great movie in itself, but it remains a very good movie in the genre and personally in a buddy-style, that really refreshed the crime/thriller genre. The plot has a nice mix of action, story and funny, excitment with a solid pace. One of the classics that I'll always enjoy. 8.5/10

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Ms.45 (Abel Ferrara, 1981) -- A shy and mute seamstress goes insane after being attacked and raped twice in one day, in which she takes to the streets of New York after dark and randomly kills men with a .45 caliber gun. It's a great exploitation movie done by a great director (better known for Bad Lieutenant) and though the scenes are predictably hard to watch and the outcome is also expected, it has become sort of a cult movie for me. I remember watching it on TV ages ago and I'm happy to have found it again. The movie provides plenty of thrills and despite everything, remains entertaining enough as a compelling portrait of the insatiable thirst of vengeance that can be unleashed in the most timid and frigid people. A obviously low-budget movie that delivers well enough. 6/10
 
American Reunion: I wasn't really planning on watching this, specially at the movie theatre, but it was a saturday night and we were at the mall with not much to do. And between Titanic 3D and this it was an obvious choice. Turns out I actually enjoyed the movie. It was all about the usual sex jokes but I hadn't watched this kind of movie in a while so the Missus and I had some good laughs.

Judging by the fun we had I'll give it an 7/10.
 
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Made in Britain (Alan Clarke, 1982) -- Tim Roth's first role is playing a kid named Trevor who is a sometimes-violent skinhead with no regard for authority. His social worker tries to do his best, but Trevor is only interested when there's something that he can get out of it. So goes on a sad and predictable story of the mentality of youths during Thatcherite Britain, when the government cared very little for the high unemployment and crime rate. Tim Roth's role is of a kid who feels let down by the system and rebels against all authority who tries to help him. There is very harsh language throughout the movie, but the acting is among the best. A great example of the times when youths felt society owed them and didn't even want to help themselves. Made for TV feel all around, but it gets away with being well done on a low budget. 7.5/10
 
Just watched Bridesmaids. The rumor was this is a funny movie. I admit I had a chuckle a few times. When the vallet couldn't start the Toyota, the puppies in the mini-van and the 'bear sandwich' at the ending credits. The rest of the time, I wanted to kill myself. That's it. Three chuckles. For that it gets 3/10.
 
Seen Courageous. Good movie, but it's kinda religious, but l still like it. It has some really good parts. Especially the beginning and end.
 
Mission Impossible: Ghost Protocol - This movie is goofy. Brad Bird mixed in a little Incredibles silliness to make this movie because a majority of the action scenes are there just because. Heck, all the location are there just because. They never explain WHY they're in Dubai or Mumbai or Russia. Sure, the bad guys were trying to start WWIII, but that whole plot felt thrown in there. Like the meeting went: "So, we'll have Tom Cruise hanging off the Burj Khalifa in Dubai...and a car chase in a sandstorm...and all this crazy stuff." "Sounds good. But what's the plot?" "Umm....well...The bad guys want to start WWIII?" "Sounds good...print it!"

I think my favorite scene is when Tom Cruise puts the flare on the body and the stupid Russian police guys start shooting at it and immediately afterward he and Brandt essentially said "Wait...why did that work? That shouldn't have worked. It was really stupid and any idiot should've known that was a decoy because it was just so obvious." "Yeah, but those guys are REALLY stupid. I mean...they fell for the obvious decoy like dogs barking at every passerby."

I kinda liked the "everything is breaking" running gag...up until Cruise explained why. That felt like the end of Corpse Princess's "Our friendship gives us power." It was sappy and corny....but then, so was the rest of the movie. It did have an "Incredibiles" feel to it though. Like I said, it was goofy and other than the one cuss word in the entire movie and the bullet in the head....I wouldn't mind letting kids watch it because it was so goofy. And because it was just silly and stupid, I can see why some people didn't like it. But for me, an action film like MI4 that has really just stopped taking itself seriously anymore is actually quite entertaining. It's almost like watching an episode of Burn Notice.

A 4/5 .
 
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The Avengers - (10/10)

Before I hear the same crap I did after my Captain America review, yes a 10/10. If they weren't sold out and I didn't have a Derby party to get to I would have bought another ticket and walked right back in.

This is everything comic book movies should be. It is unapologetic for the far out ideas and concepts, it has fun with multiple alpha egos bumping into each other, and it doesn't try to force one mythology to fit that of another character's. Marvel creates the continuity and lets the audience accept it the same way they do for the comics.

Joss Whedon shows he has the respect for the source necessary, the writing abilities to make even non-action scenes enjoyable, and can go toe-to-toe with Michael Bay in the action department. Actually, he is better because it isn't zoomed in and shaking the whole time.

And in case you think this is just fanboy ranting, there was applause during and after the film. And the user reviews on Rotten Tomatoes are 96% positive, with 93% from critics.

As for fanboys; This is the film we all wanted.
 
Haywire - Starring Antonio Bandareas, Ewan McGregor, Michael Douglas and Bill Paxton, Haywire actually seems like the crappy version of Batwoman's backstory. Heck the main character's last name is Kane. And her dad is a former marine...just like she is. But...Mallory Kane isn't nearly as cool as Kate Kane. The premise of essentially a female Jason Borne sounds cool, but....the execution is just...stupid. The villains are stupider than bad video game AI and they make so many stupid mistakes that it's no wonder their plans failed. (Example: If you're trying to catch a form black ops person...WHY would you 1. hide the tracking device where a simple pat down can locate it and 2. why would you call the cops on her. I mean, wouldn't that just alert her that you're trying to find her?) Michael Douglas's character was the smartest person there because when he say the crap starting to hit the fan, he step out of the way of the fan...everyone else must have thought the fan was a shower because they kept walking into it.

The location jumping was REALLY annoying in this, as well. Where as Ghost Protocol was just having fun and Borne actually kinda had a good reason and stuck with a location for more than a single scene, it seemed literally like EVERY scene was somewhere else. Also...Barcelona? Really? Can you say "cliche"?

And then you get to the fighting scenes and if you like to watch jerks beating the crap out of women, this is a good movie for you. Seriously, is it me or do a couple of these scene seem like the start of a domestic violence dispute? Which, totally kills all the enjoyment out of watching the movie. Granted, she kicks their asses, which is cool, but..holy crap, I want to have a couple of the actors arrested after that.

The movie also never really fully explains why they're burning Mallory. They mention that she's "out of control" but the only time we see her display that...is when they've tried to burn her and she's seeking revenge. And in the end, it just feels like "Well, she's a woman and she's a better agent than us men, so she has to die." Which is stupid.

In the end, what started out as a cool idea fell flat on it's face. The violence is WAY to brutal and the main reason for the R rating, the villains are stupid, A couple scenes don't make any since (What was the whole point of her kidnapping the kid and briefly running from the cops in the car? What exactly did that accomplish? Did it further the story?), it had more settings than banquet hall and it gets a 2/5...and just barely 2.
 
FoolKiller
The Avengers - (10/10)

Before I hear the same crap I did after my Captain America review, yes a 10/10. If they weren't sold out and I didn't have a Derby party to get to I would have bought another ticket and walked right back in.

This is everything comic book movies should be. It is unapologetic for the far out ideas and concepts, it has fun with multiple alpha egos bumping into each other, and it doesn't try to force one mythology to fit that of another character's. Marvel creates the continuity and lets the audience accept it the same way they do for the comics.

Joss Whedon shows he has the respect for the source necessary, the writing abilities to make even non-action scenes enjoyable, and can go toe-to-toe with Michael Bay in the action department. Actually, he is better because it isn't zoomed in and shaking the whole time.

And in case you think this is just fanboy ranting, there was applause during and after the film. And the user reviews on Rotten Tomatoes are 96% positive, with 93% from critics.

As for fanboys; This is the film we all wanted.

Lol I remember your Captain America review. I also just saw this movie a couple days ago and yes it's pretty good but for me I wouldn't say 10/10. Batman had amazing story, action, actors etc and definitely gets 10/10 while this movie was good but not super spectacular in my opinion. Everyone is saying how great it is however its pretty much the most basic script ever. Get a bunch of Hero's people like, have them fight a random guy, fill will action and dumb jokes, than have them win in the end. Literally exactly like that. No twist, no turns, just completely what you would expect. Iron man which was the best movie out of all these is still the best character in terms of acting. I wish they used Edward Norton for the hulk like they did in the first hulk movie, but since they went and screwed that one up they couldn't.

Obviously if you like super hero movies this is gonna be the ultimate one since it combines so many people and it's cool to see them all interact, but I really feel they could of done an amazing script that just made it so epic while still the same fun style like all the movies had.
 
I've recently done comic movie marathons with my brother-in-law of both the Nolan Batman and Marvel Avengers films and I've realized why I feel the Marvel films are better comic book movies. Nolan wasn't making comic book movies. If Batman weren't so well known people would think of it more like they do V for Vendetta or 300. It is a serious film about a vigilante that focuses more on social commentary than superheroes. That is not to say it isn't a good movie, but it does not feel like a comic book. If you took a film school textbook or Academy Award criteria list it would score high. If you compare it to what makes comics fun and fantastic it just barely gets consideration as the same genre.

And that's the difference for me. I want a movie that is the comic books put on screen directly. That is what Marvel has been doing since Iron Man. I want to see what happens when a demi-god, a corporate billionaire, and a super soldier disagree, both in physical and mental combat. While it might be more serious and challenging to have conversations about the ills of society and who will be the white knight to save us, after the third time we see this topic it gets boring.

I find it funny that you think throwing a group of popular heroes together is some sort of negative. That is what The Avengers have been for nearly 50 years. It makes me think that your issue is about the Avengers concept. As for dialogue, I have to say I disagree. Whedon's strong suit is character dynamics through dialogue. Similarly, Mark Ruffalo is the best Banner/Hulk to date, to the point I think they could create a new solo Hulk film. Both these points have received nearly unanimous fan and critic praise. Even the few negative critic reviews of the film praise these two things as the high points.

As for twists or turns, I can think of two moments that were unexpected. A third could be considered, but that was more of a "holy crap, I can't believe that happened!" moment than a plot twist. If we count post credits scenes though there is definitely a huge twist.

As a lifelong fan of comics this is how I want comic movies to look, like a comic book in live action. If you are looking for an action film set in the real world don't use comics as your foundation. Nothing seems odder than a man dressing as a bat grumbling about the ills of society. That makes far more sense in the comic deconstruction tale of Watchmen than a traditional comic tale like Batman.

The only issue I have, as a comic fan, of Avengers is that Loki's army did not come close to being representative of their comic counterparts, not even similar to their animated counterparts.
 
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The Avengers 👍👍

Two thumbs up, barely. This is a popcorn and soda kind of movie. Put your brain in neutral and enjoy a good time. There is nothing even slightly resembling anything that should put anything but a smile on your face for 99.9% of the movie - and that's not necessarily a good thing. If you were given a dial to turn to the right when you liked a scene and turn to the left when you didn't like a scene, you'd have had the dial to the right the entire time. It leaves the movie a bit flat and uninteresting, but it's fun anyway. It's junk food on the screen.

The Good

RDJ was the centerpoint once again. He can't help but steal the show and he does in this movie. It's not that the movie doesn't have other fun characters to follow, but Iron Man is the one you always want in the next scene - and that is a good thing. His character is remarkably consistent from Iron Man to Iron Man 2 to the Avengers. Never misses a beat.

All of the characters were solid, I liked everyone... even Thor. They were each different approaches to superheros, different personalities. From the tortured I-don't-want-to-be-here Bruce Banner to the Look-at-Me Iron Man to the benevolent god Thor to the boy scout Captain America. All of them are treated as totally legitimate, unimpeachable approaches to being a superhero even though the movie recognizes that each one can't necessarily accept the other.

Also I felt that in this movie Black Widow came into her own.

The Bad

- Loki is just not a good bad guy. He's not well motivated, he's not scary, he's not interesting. I feel that this movie concentrated a little too much on the good guys and not enough on the other side.

- Superheros remove tension. When you have guys who can seemingly never die no matter how hard they are hit, you never worry about them. I literally have no idea what Thor or Hulk's kryptonite is. I get that Iron Man and Captain America are ultimately just dudes with tools. But Thor and Hulk just suck tension out of every scene.

- Hawkeye blew, added nothing.

- All of Shield was pretty weak actually.

- Nobody to get really emotionally invested in. Lots of characters mean not focusing on any one of them, which means superficial treatment for everyone. I get what they're going for, that you're supposed to get invested in the group rather than the individual. You're seeing the creation of something larger than the individual hero. But the group didn't really have enough of an identity to really make that work for me.

Conclusion

Iron Man > Iron Man 2 > Avengers > Hulk > Thor > Captain America

Watch it. Enjoy it. Forget it. You won't get emotionally invested, and so it has little staying power. I can't say I'm going to buy it because I have trouble seeing why I'd watch it multiple times. It's a solid movie, but it's not a great movie.

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Also, I think FK is right. This is what the fanboys wanted. The fanboys don't understand what makes a movie great, and so giving them everything they ask for results in a sub-optimal mix. It's like asking someone what they like about cake - "it's sweet". Ok, how much sugar should we put in? "Tons!" You end up with something that tastes good, but not as complex or savory as it could be.
 
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Danoff
Also, I think FK is right. This is what the fanboys wanted. The fanboys don't understand what makes a movie great, and so giving them everything they ask for results in a sub-optimal mix. It's like asking someone what they like about cake - "it's sweet". Ok, how much sugar should we put in? "Tons!" You end up with something that tastes good, but not as complex or savory as it could be.
Fanboys understand what makes a movie great, it is why The Dark Knight Rises trailer shown before The Avengers causes a number of them to say it looks awesome and then they also applaud at a 'puny god' scene in the movie. We like both approaches to the genre, but we prefer one over the other. Some prefer a serious realistic style, but others prefer the image they had in their heads when they put on their Spiderman underwear.

But just as the darker Batman comics exist outside the Justice League storyline so does Nolan's Batman exist out of any Justice League attempt Warner Bros could try. Honestly, Hal Jordan would never stop making fun of this version of Batman. They will need a less gritty approach if they ever attempt any kind of crossover.

Also, if you think it is Robert Downey Jr making Iron Man stand out so much check out the Ultimates storyline, which these films have been based on. That is the role Iron Man plays. He refuses to play along and antagonizes SHIELD, and winds up taking a leadership role as he guides the team to operate outside of SHIELD's control. Even in the Civil War storyline, which there was a hint of in the movie, he orchestrates a large amount of the events.

And Hulk and Thor; We have seen what can stop them. It was in Thor for a half second. If you watched the credits for Avengers you have seen who can stop them. Thor is just an alien. Hulk is just a mutant. Humans don't have a monopoly on mutation and there is a universe full of entities capable of crushing a planet the way Hulk can crush a car.
 
^ All of that presupposes knowledge of the comic books (which I have none of). Taking the movie for what it is, I stand by what I wrote. The threats don't feel real to Thor or Hulk, so the movie loses tension.

Did you for one moment think that Thor or Hulk could be done in?

When Thor was trapped in Loki's cage did you even for an instant worry about Thor? I just wondered why he didn't smash through the cage and fly out of it. Forget the stupid cage.

I'm not talking about what makes a good comic book or what translates to the screen or which type is a favorite of whom. I'm talking about pure story writing. No tension = worse movie. Even worse, if you take a no tension situation and suddenly decide someone should die (think superman). That doesn't inject tension, it creates an arbitrary nature to the universe that causes distrust of the writers.
 
Your right they made the movie basically to sell for fans and not for any oscars, but I don't see why you can't do both. Like batman. If you wanted a pure comic book movie than it should of been a cartoon or possiblely 3D cartoon style. If your gonna use real people you mine as well make it relate to what would actually happen in real life. People get shot and they just fall, in real life there would have been blood everywhere. However I get that would boost the ratings probably to R and sell way less.

I am not a comic book person or really care about these types of movies but after seeing batman and even iron man which were awesome I don't see why they can't do that for everything. It makes me feel offended when I see movies that are clearly just exploiting a huge genre to just earn profits and not to create a great film. Like the transformers series.

This movie was not awful tho. Just seemed a little scattered to me. Would of been more interesting to really focus on one problem rather than haveing like a million things happening all the time. Worrying about Loki, worrying about the hulk, worrying about the Loki army people, worrying about captin America and iron man getting along, worrying about what Samuel Jackson is up to etc. I don't see the need for all these problems to be happening in such a short amount of time. Plus the movie was over 2hrs which is a pretty long time to tell one great story. I think it was due to just the whole avengers theme. All these people coming together and learning all this new stuff while having to fight a random bad guy is just too much to cram into one movie.
 
Danoff
^ All of that presupposes knowledge of the comic books (which I have none of). Taking the movie for what it is, I stand by what I wrote. The threats don't feel real to Thor or Hulk, so the movie loses tension.

Did you for one moment think that Thor or Hulk could be done in?
Yes, Loki has no fear of Thor's presence. That wouldn't be the case if he didn't know he could kill Thor when necessary. They are not immortal, but only appear that way to frail humans. That was fairly well covered in Thor. But Loki's weakness is that he is a coward, thus he would never directly challenge Thor in combat. That isn't his skill. The threat always comes out of his planning.

Hulk is the nuclear option. The fear with Hulk isn't that he will die, but that Banner will lose the modicum of control he has. In fact, that played a direct role in the film. Without previous knowledge from comics (but from the movie) we all know only one person is not at risk of death in Hulk's presence.

But let's be honest, do you ever watch a movie with a heroic protagonist and fear they will die? Even when they do die it isn't in a way to stop the happy ending.

By the way, I'm also a huge fan of Superman.

shmogt
Your right they made the movie basically to sell for fans and not for any oscars, but I don't see why you can't do both.
Because it is entertainment, not art. And when you go the Batman route you lose the actual character. How do you stay true to these characters and have them go over the same pompous morality argument five times in a movie?

If you wanted a pure comic book movie than it should of been a cartoon
It's been done. Twice. And there is a cartoon series.

If your gonna use real people you mine as well make it relate to what would actually happen in real life.
Oh, come on! Wizard of Oz and Lord of the Rings were awesome. I say that because I have heard your exact argument to explain why Wizard of Oz and Lord of the Rings weren't good. It is a ridiculous statement that destroys entire genres. And what it creates is crap like Masters of the Universe and Battle: Los Angeles.

People get shot and they just fall, in real life there would have been blood everywhere. However I get that would boost the ratings probably to R and sell way less.
We are seriously nit picking this kind if stuff now? Can I point out my Wizard of Oz reference again? Stop watching anything below an R-rating. You must really hate Disney.

I am not a comic book person or really care about these types of movies but after seeing batman and even iron man which were awesome I don't see why they can't do that for everything.
The Batman approach can't work for The Avengers and still be Avengers. And I keep wondering how a film that introduced this universe, but had a major issue where they switched villains mid-film due to the fact that they rewrote the script in the middle of production, gets so much praise but this one gets called mediocre when it is obvious that multiple production teams worked together to create a multi-film continuity.

It makes me feel offended when I see movies that are clearly just exploiting a huge genre to just earn profits and not to create a great film. Like the transformers series.
This isn't exploiting anything. It was meeting a demand. Fans got tired of comic franchises, like Wolverine, being exploited and wanted a true-to-comic representation. Marvel did it. In fact, the risk was so great that they had to create their own production company and use their own money to do it because none of the studios were willing to try it. As Marvel sits on record box office numbers and is looking at almost a half billion in profit already I am sure they are laughing at the studios who preferred to exploit the franchise with crap films.

This movie was not awful tho. Just seemed a little scattered to me. Would of been more interesting to really focus on one problem rather than haveing like a million things happening all the time. Worrying about Loki, worrying about the hulk, worrying about the Loki army people, worrying about captin America and iron man getting along, worrying about what Samuel Jackson is up to etc. I don't see the need for all these problems to be happening in such a short amount of time.
Character dynamics, no! Life is always easier when multiple people get together and just get along with ponies and rainbows and they face a villain with a plan that is more one dimension than his personality. I thought you wanted realism.

Plus the movie was over 2hrs which is a pretty long time to tell one great story.
Yeah, being ten minutes shorter than The Dark Knight. That must be why I like it do much. Seriously, I don't know if you are so determined to validate your opinion that you're grabbing at non-issues or just trolling at this point. If you really think film length is an issue I will be glad to point out all the films that meet your other criteria, won awards, but were longer.

I think it was due to just the whole avengers theme. All these people coming together and learning all this new stuff while having to fight a random bad guy is just too much to cram into one movie.
In other words, this just isn't your kind of movie. That is cool. But don't tell me your kind of movie is the only way a movie should be.

Now, if you'll excuse me, I feel like watching Cabin Boy again, because I love that film.
 
I can sort of see both points of view. The Avengers was, by far, the best "Marvel" comic book movie I've ever watched. But that's from the point of view of a comic book fan. My reservations about the fact that it was self-consciously and overtly a popcorn flick and that it require a certain level of pre-knowledge to enjoy are why I gave it just 9/10 rather than a full 10/10.
 
Batman for me was the perfect execution of a comic book movie. They took a character and made me feel as if he is real and the joker was a actual man doing all these awful things to people. Batman in the books has a darker image which is why having huge explosions and blood etc made it seem real as well as keep true to the comics. However all these comic book Hero's are also all set on earth with real cities and people so they could of done the exact same thing.

I think they definitely could of kept it fun while still keeping it more real. Like I listed already the million story plots going on at the same time. Would of been fun and better if they all came together and worked as a team to make a crazy ornate plan in order to take down Loki and his army. Than add a bunch of twist and turns while executing it and add in a bunch of "iron man" jokes through out to give a little comic relief from the craziness that was going on. How it went down now was no way they could ever lose not even the slightest chance. The hulk I didn't get either. He is this crazy uncontrollable beast and destroys anything in his path and randomly loves everyone and follows orders at the end. Why would he do that?

Also I highly doubt it was me who said about wizard of OZ and lord of the rings not being real enough etc because those movies are awesome. I even have the lord of the rings extended edition collection on DVD. Those are movies that took a book and made me the viewer feel entranced in a their world. In my opinion a good movie no matter what the story/genre should do that.
 
shmogt
Also I highly doubt it was me who said about wizard of OZ and lord of the rings not being real enough etc because those movies are awesome. I even have the lord of the rings extended edition collection on DVD. Those are movies that took a book and made me the viewer feel entranced in a their world. In my opinion a good movie no matter what the story/genre should do that.
I didn't say it was you. I was pointing out your notion that being in an alternate fantasy Earth ruins a story is a ridiculous statement, because it actually works well for an entire genre.


Should we move this to the Avengers thread if this is going to continue?
 
Watched The Avengers last week and I really enjoyed it as well. But as Danoff says Robert Downey Jr. steals the show and he's the main reason I'm enjoying these movies so much. I'm not a comic book's reader so I just go by what the movies show. I really liked both Iron Man movies, specially the first, and had high hopes for Thor and Captain America but they were just ok IMO. Not bad movies but they served most so I wouldn't be lost in the Avengers' plot.
 
Yes, Loki has no fear of Thor's presence.

I don't believe you. I don't think you ever thought Thor or Hulk were in even slight danger. Regardless, if you did think that it was because of the comic books. The movies leading up to this one did not leave you to believe that they'd be scratched.

But let's be honest, do you ever watch a movie with a heroic protagonist and fear they will die? Even when they do die it isn't in a way to stop the happy ending.

Iron man was a better film because there was real tension about Tony. When he was in that cave hooked up to a car battery, he felt VERY frail. Very vulnerable. You know rationally that the movie isn't going to kill him, but emotionally you don't recognize it. They go back to that when Stark is crawling through his garage trying to get his backup reactor.

There was nothing like either one of those scenes in Avengers. Thor in the cage? Gimme a break. Coulson's death? Sudden, no tension. Black Widow torture scene? The feel of the movie already to that point led you to believe that it wouldn't be dark enough to go there. The closest I ever got to believing anyone was in danger was Iron Man taking the nuke to the bad guys - and that was only because they foreshadowed it and I thought the movie would want to grasp for something emotional like that to make it poignant. But that was like... meta-tension. When someone said something like "shut it down" to close the portal for no apparent reason, I knew then that Tony would make it back alive. They wouldn't let his death be as meaningless as shutting a gate early for no reason.

Give me one scene where someone feels as vulnerable or where there is as palpable tension as in the Iron Man Afghanistan cave or when Tony is crawling through his garage. That vulnerability is what makes it feel real and what allows you to invest.

By the way, I'm also a huge fan of Superman.

It's at least consistent. Superman is the king of too much power/no tension.

I can sort of see both points of view. The Avengers was, by far, the best "Marvel" comic book movie I've ever watched.

Iron Man was better. That's bordering on fact. There are real concrete reasons why the story telling in Iron Man was better.

Disclaimer
Don't read my posts and think I didn't like the Avengers. It's a good movie. Go see it and help it break records that Harry Potter doesn't deserve to hold. Pump money into it so that they make another one. Everyone reading this should enjoy it.
 
For the sake of not hijacking this thread I suggest we move this to the dedicated Avengers thread.
 
For the sake of not hijacking this thread I suggest we move this to the dedicated Avengers thread.

I'll respond to you there.

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Tinker Tailor Soldier Spy 👍 👍

Ensemble cast of "Yea, that guy was in that other movie. He was good in that, what's his name?". If you're the type to get bothered by recognizing faces and not quite being able to place them, this movie is going to bug you. Lots of good acting in this one, compelling story and plenty of drama as seen through the eyes of very powerful emotionally controlled intelligence agents.

Gary Oldman turns in a solid performance (I'm a fan). Overall though, the movie is paced very slowly, and you'll often find yourself getting irritated with the movie for concentrating on unimportant aspects of a scene and leaving out the important stuff. You'll see a guy walk up some stairs, walk into a room, sit down, look at some other guys, and then before anyone speaks the scene changes. That kind of thing.

Here's the only thing keeping me from really enjoying this movie, it's hard to follow. I was particularly confused right at the big climax of the film - and that's annoying considering how many times I watched something that wasn't really important going on (like some papers moving up and down a dumbwaiter). I feel like the movie could have explained just a little more so that it can be followed - but the book is apparently the same.

Conclusion

Solid movie. Not explosive, or flashy, or sexy, or loud. Just good acting, solid plot, and powerful reserved characters dealing with a difficult situation. Don't watch it if you're sleepy.

Edit:

If this review comes off as negative despite the two thumbs up, it's because this movie could have been truly great if not for what I complain about above. I think they had something that they just let slip through their fingers a little and ended up with something solid instead of awesome.
 
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The Hustler (Robert Rossen, 1961) -- An up-and-coming pool player plays a long-time champion in a single high-stakes match. Though that's what te plot synopsis says, the movie is not really about the game, but more of the life around it. Paul Newman plays an awesome role of Fast Eddie, a great pool player who could be the best if he had more character. Instead he's a self-destructive man who drinks too much and doesn't know when to stop. He eventually meets a girl who is just like him and so starts a downward spiral of issues in their lives, that eventually turns out for the better, or does it?

All in all, it's an interesting movie about a her who doesn't act like one and the exploration of his weaknesses rather than his strong points. It's also one of the great roles by early Paul Newman. The movie had a sequel in '86 called The Color of Money, which really wasn't up to par, but was fun to watch. It's #203 in IMDb's Top 250. 8/10

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A Scanner Darkly (Richard Linklater, 2006) -- An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result. Though I'm usually not a big fan of Linklater, I happen to be a fan of Phillip K. Dick. It also happens that the cinematography, which is almost an animation, of this movie is very, very amazing, but also relates very closesly to the whole drug trip essence of the movie, and I can see how many people who probably haven't taken psychotropics might find it boring and pointless, whereas if you have ever gone on a "trip" then you will be instantly able to relate to some of the particular scenes. The acting by everyone is brilliant, and Keanu's role seems that was made for him and his odd tendencies. The movie is certainly a cult classic of the mind-bending type that is fun to watch if you can manage to enjoy the type of movie. I was amazed how closely it followed the orignal story, since another adaptation of Dick's work (Blade Runner), seemed to follow it for a time, but then went the Sci-fi/action road instead of the existential original one. Not complaining that they did so, since I think Blade Runner is one of the best movies ever made, but the original story is veyr different. 7.5/10

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The Iron Lady (Phyllida Lloyd, 2011) -- An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene. I thought this was a highly unethical movie of a highly-regarded person, as extraordinary as Thatcher is, and during 80% of the movie she is shown as a senile, mentally deteriorated, odd woman who sees her dead husband everywhere and just speaks with him; the movie is pretty much based on guesswork and her years as Prime Minister are shown as an elite protecting pompous woman. Thus, this biographical drama is made most of somebody else's fiction, when it should've been a movie about a confident, self-made woman who takes matters in her own hands and pushes her country to the right.

I think Meryl Streep is an awesome actress and she was spot on in her role, but that's just professionalism on her part and what is to be expected from her and any other good actress who would play such a role. The rest of the movie is just based on the notions of no one and a perfect exampls of what a biopic shouldn't be. 5/10
 
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Solaris 👍👍

This is actually either my second or third time renting this movie, and I keep teetering on the edge of buying it. This movie is very me - space, science fiction, lots of face time with one my my favorite actresses to watch - Natascha McElhone, quality soundtrack, psychology, philosophical questions about morality, philosophical questions about religion, philosophical questions about reality, and generally stunning artistic imagery.

However you slice it this movie is rich. Visually, intellectually, psychologically... it always gets my marble rattling. It's not a fast-paced movie for ADD types. It's a slow, thorough, ponderous movie that builds steadily... inevitably... to a massive scope.

When you're watching the fast and the furious you might feel like the movie starts out doing 80 mph on rollerblades. One rock out of place, one misstep and you're going to crash and burn... and inevitably it does crash. With Solaris you start out sitting in a chair strapped in so that you can't go anywhere. You're not moving at all, just sitting there staring up, waiting for the inevitable. The chair you're sitting on is at the tip of a massive rocket with tons of propellant that's going to take you to space. When the rocket ignites you're punched forward hard. What feels like an eternity later it doesn't let up. You leave the clouds behind but it doesn't let up. You cross into space but it doesn't let up. Not until you're in another world does this film finally drop you into a mind altering orbit. Unlike an unstable journey on rollerblades where you feel like the wheels are about to come off, this movie just pushes you forward with confidence. Not only do you know that it won't fall apart, you know you can't stop it.

Ok, enough of the metaphor. I definitely recommend this one.
 
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Though less spacey and almost no soundtrack in it, I liked the original much better: Solyaris

Still, the Clooney version is among my Top... er... 50 movies, or so. Very well done.
 
Watched 21 jump street. Man what a funny movie. I figured it would be just whatever, but so much unexpected stuff happens and all is quite funny.
 
Watched "Dark Shadows".

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Absolutely loathed it. The tone was uneven, the humor was patchy (there were some hilarious moments) and the movie never quite found its rhythm... the plot was mostly predictable, even the twists... and you never quite feel attached to the characters.

Sure, there were some laughs to be had. Quite a few, actually, but they don't save the movie.

"Alice" was bad enough... this movie simply pulls the Burton/Depp coolness factor down to new depths of inconsequentiality. The effects are decent, and the atmosphere is right (lovely work rebuilding a 70's town), but the movie feels like it's all style and no substance. Did I care that "Hit Girl" was in it? Nope. Did I care that Alice Cooper was in it? Nope. (No speaking lines... boo). Did I care that Barnabas the Vampire's beloved was kind of cute? A little. But the only saving graces here are standout performances put in by Helena Bonham Carter (as always) and Eva Green (the witch). Depp does a decent job, but the role doesn't give him much to sink his teeth into, and by the end of the movie, you're ambivalent about whether you actually like "Barnabas Collins" or loathe him.

Me? I was hoping the witch would win. 5/10 (may be worth HBO'ing... but not worth much else)



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A Scanner Darkly (Richard Linklater, 2006) 7.5/10

I'm pretty happy that they stayed as true as possible to the original story. Many sci-fi adaptations completely ignore the source material ("The Day the Earth Stood Still" / "Farewell to the Master") or mangle it beyond recognition (most anything by Philip K. Dick)... but this was very faithful.

Unfortunately... I quite agree that it didn't quite get past the 7.5 level, but it was pretty decent.

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I loved Solaris, too. Very atmospheric and dramatic. Gotta watch the original, though.
 
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