Giulietta73's Gallery |Some more comp entries|

Very nice Mazda 787B pictures Eric, each shot has its own kind of artistic path, the last is my favourite, they all have crossed the drawing-painting barrier, really nice to watch. The flying little bird is funny :) The R8 edit is wisely done, licence plate removal as it must be done. Bravo 👍
 
The level of details on the R8 is mind blowing, it must take a lot of time and patience to create something like this.
As for the yellowbird shot, well it certainly is different, to bad it wasn't voted for in the comp

Overall another fine display of inspiring art.👍:cheers:
 
Lovely edit, Giulietta73. Very realistic. 👍
Thanks Nenad:tup:
Look ma', no rims!
Yeah I know, right!! :lol:
Very nice Mazda 787B pictures Eric, each shot has its own kind of artistic path, the last is my favourite, they all have crossed the drawing-painting barrier, really nice to watch. The flying little bird is funny :) The R8 edit is wisely done, licence plate removal as it must be done. Bravo 👍
Thanks a lot Herve, really appreciate that:cheers: Removing the licence plate was the easiest part - and yeah, very necessary!!
Great work on your last 3.0 edit Eric :)
Thanks Jérémy:tup:
The level of details on the R8 is mind blowing, it must take a lot of time and patience to create something like this.
As for the yellowbird shot, well it certainly is different, to bad it wasn't voted for in the comp

Overall another fine display of inspiring art.👍:cheers:
Time and patience in bucket loads - and stamina too. I tend to work on small sections - front grill, right wing, left wing, doors, rear wing etc. So yeah, half way through is a tough point cos you know you've got another few hours to go!!! And then when you've finished making chnges to the car, you've then got to do the usual photo touch up treatment to move it away from the GT5 look. I spent more than 4 hours, but then, I'm pretty slow and get through lots of coffee!!! Cheers Paul:cheers:
 
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CINEMATIC VISIONS
2.0 Advanced Competition 140
Narrative by Leeislee


The lights he saw in his rear view mirror 15 minutes ago were still there, following his every move but now they seemed a little closer, then they split, two cars, three, four, spreading themselves across the road…gaining…fast.
Turning towards the tunnel the road dipped as the flickering lights seemed to add to the eerie calm of the normaly busy city.


CinematicVisions-02 by Giulietta37, on Flickr


CinematicVisions-03 by Giulietta37, on Flickr


Turning towards the tunnel the road dipped as the flickering lights seemed to add to the eerie calm of the normaly busy city. The curve of the tunnel meant he couldn’t see the cars behind him but he could see the head lights flickering off the tunnel walls.


CinematicVisions-01 by Giulietta37, on Flickr

The docks were busy loading the huge container ship, the giant cranes rising into the pink glow of the dawn. He blasted past the dockyard, his engine screaming, drowning out the noise of the heavy machinery and sped towards the light.

CinematicVisions-04 by Giulietta37, on Flickr


CinematicVisions-05 by Giulietta37, on Flickr



 
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I stumbled upon these images on another forum and said I had to drop by to commend your work.
The entire Cinematic visions set is jaw-droppingly sexy. Though my favourites are undoubtedly Cinematicvisions-01 and 05. Love that light around the corner in the former and the atmosphere in the latter.
Now it's my turn to feel insecure :lol:
Great work Eric!
 
Very beautiful set 👍 Both the parts on SSRX and Tokyo are great. The ones on SSRX are superb with a great light. The second one fit maybe better with the theme (what an atmosphere !) but I love the two :) I also like very much the close shot and the first one has a great composition :cheers:
 
That was an interesting experience Giulietta73. I really had a cinematic experience. While reading and seeing the pics I was watching the movie in my mind, soundtrack and all. Very cool!
Which actor did you cast as the main character?
 
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Really enjoyed reading the text that came with the latest images. It further emphasizes the atmosphere you went for in those photos. 👍
 
These are all fantastic, you've represented the story perfectly in each shot and the editing is superb throughout as well. Top marks! 👍 👍 :)
 
Excellent work Eric, the small stories are nicely written, truely loving the first Enzo shot, all the colors are really nice and the camera angle is efficient, the car looks shiny as I like. The GV tunnel corner kick ass, looks like a soft edit but in this ultra dark location, shooting is more than harsh imo. The SSRX pictures are filled with the foggy atmosphere the way I like, cranes and containers are like shadows. Bravo 👍
 
I truly amused myself at reading the stories written beneath the images that come up with the inventive narrative, and the shots themselves of the Enzo Ferrari are all mind-bogglingly superb. Those pictures of the whole "cinematic vision" clearly shows your dexterousness of editing the images so as to make them look as stunning as they can be enough to startling the viewers who dropped by here. :drool:
 
I stumbled upon these images on another forum and said I had to drop by to commend your work.
The entire Cinematic visions set is jaw-droppingly sexy. Though my favourites are undoubtedly Cinematicvisions-01 and 05. Love that light around the corner in the former and the atmosphere in the latter.
Now it's my turn to feel insecure :lol:
Great work Eric!
Thanks a lot Sean, that means a lot:cheers: The bendy tunnel was the first image that leapt out at me from Lee's story.
Very beautiful set 👍 Both the parts on SSRX and Tokyo are great. The ones on SSRX are superb with a great light. The second one fit maybe better with the theme (what an atmosphere !) but I love the two :) I also like very much the close shot and the first one has a great composition :cheers:
Thanks a lot Jérémy, your comments always keep me going:tup:
That was an interesting experience Giulietta73. I really had a cinematic experience. While reading and seeing the pics I was watching the movie in my mind, soundtrack and all. Very cool!
Which actor did you cast as the main character?
Cheers Metalsun:) My lead actor would have to be Robert Carlyle - for that slightly unpredictable & unhinged quality. Franco Begbie forever!!!
Really enjoyed reading the text that came with the latest images. It further emphasizes the atmosphere you went for in those photos. 👍
Thanks Nenad. The text is by Leeislee, and the breadth and choice of imagery in his writing is amazing - and a fab idea for a 2.0 comp:tup:

These are all fantastic, you've represented the story perfectly in each shot and the editing is superb throughout as well. Top marks! 👍 👍 :)
Thanks Nathan:embarrassed::tup:
Excellent work Eric, the small stories are nicely written, truely loving the first Enzo shot, all the colors are really nice and the camera angle is efficient, the car looks shiny as I like. The GV tunnel corner kick ass, looks like a soft edit but in this ultra dark location, shooting is more than harsh imo. The SSRX pictures are filled with the foggy atmosphere the way I like, cranes and containers are like shadows. Bravo 👍
Thanks Herve. It's Lee's excellent writing that yielded these images - he did the hard part!!!👍

Absolutely awesome interpretations of the story i wrote. They're all brilliant pictures!
Thank you very much. Great story, great brief:tup: A very creative approach to a photomode comp:) Hats off to you Sir:cheers:
I truly amused myself at reading the stories written beneath the images that come up with the inventive narrative, and the shots themselves of the Enzo Ferrari are all mind-bogglingly superb. Those pictures of the whole "cinematic vision" clearly shows your dexterousness of editing the images so as to make them look as stunning as they can be enough to startling the viewers who dropped by here. :drool:
Thanks a lot YellowBird:cheers:
 
Wow, you definitely captured the story perfectly in this set, awesome composition and atmosphere in each shot.

The last 2 are most certainly my favourites, but then again they are all exceptional photos.

Superb work.👍:bowdown:
 
Fantastic job, Eric! I really enjoyed watching ''Cinematic Visions''. Your attempt to create movie atmosphere was a success. BTW, Lee, great narrative. Pictures #1 and #3 are my favorites.
 
Great Mercedes shots - the high contrast works really well with the car in that colour. 👍 :)
 
The A-class shot has such a cold look to it, (all dull and misty) I feel a bit chilly just looking at it.:eek:

Great job with the SLR pics, especially the one where you locked up under braking, (now there's a thought!) and that last shot is very dark and mysterious.:scared:

Awesome work and what great inspiration too.👍:bowdown:
 
Those Enzo shots for the 2.0 story are very nice. They do tell it well, as some have mentioned. I like the forst one and the shot you went with best. It's also doing quite well in the poll so congrats. 👍

The third Merc shot at Monaco is quite nice too, the scenery looks great with the toning you've applied. 👍

From the latest batches the A-class shot is very interesting it does make a nice impression. The composition is great and the mood created by the dull warm light certainlty adds something special to it. 👍

The SLR pics are good also, I loke the toning on these and out of the bunch I like the dark simplisitc feel and isolation of the last shot. Very nice. 👍

Seems like you're getting better and better all the time lately. Bravo. 👍
 
Excellent pictures once again Eric, Monaco and ist ulgy trees, who can deal with it the clean way ? You, the second pic is really sweet. The unedited Toscana vertical shot show how menacing this car can be ! Unusual and efficient snow picture 👍 You heavy breaking pics are some kind of rpg level up, nice us of dlc paints (I guess) and great use of the adjusting time and weather, the last looks like an official Mercedes promo pic. Everything smartly edited, bravo bravo :)
 
Your silver arrow set on Monaco is very nice Eric, I really love shots 2&3, the car and the scenery are beautiful in them (and in Monaco it wasn't easy to do that...). Great toning in this set.
I prefer the second SLR shot, the sense of motion seems to be better in this one in my opinion. And I love the last one :)
 

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