Wow, now I have two updates to comment on. I'm glad that, like everyone else, there isn't much to say about the 'ol NISMO. This might be redundant, since you fixed your problem and all, but whatever.
I did notice that #1 is just a normal R32.
Number 4 has a nice engineered look with the bridge, but there is nothing going on with the car. Not even reflections.
The 6th shot is pretty good; I like the curves of the fnce and curb.
On #9 I could almost take a protractor and measure the car's tilt and find that it'd be nearly identical to #4.
You had a couple good partial shots. The 16th pic has a good sense of speed with the fast spinning wheels and the blurred background. See, this pic has excitement. But the back edge of the side window looks like a sawblade. On PS, the smudge tool would rectify that problem. The round tail lights and the ends of the exhaust tip and muffler in #18 are perfect candidates for smudging. It looks like crap, how could you miss that!? That is the whole reason Pixeljunkynz had the smudge thing in his tutorial in the first place, and the reason I started doing it. But the composition of this pic is good.
The bottom four are the most intersting by far with the curvy esses and stuff. But the car seems to be still, no movement at all. But then again, some camera angles in replays just don't blur no matter what.
Now this, PB, is mucho, uh, bettero. I don't speak Espanol. Having many variations is a good thing, keep this up.
Amazing partials dude. Are you aspiring to take VR6's place when he dies or something?
Hey, more round lights. You know what that means.
You should get the real photoshop just for the "heal" brush. Ninety percent of the time it does an unconstitutionally good job. Now and then I see a goober left by your futile attempts to hide the SCEA tag. If I get the smudge thing lined up right, it looks nearly perfect. The blurs aren't super noticable, though, I'm just a fastidious person.
I luuuuuv the color scheme in #7. The red, black, and white mix so well it boggles the mind. The straight bars of the fence give this photo--it's so good it's a photo, not just a pic--a nice contemporary flare. The Mitsu sign in back is a sweet detail.
I noticed the two-tone sig in #12. That's a nice touch.
Your 13th shot is a complex asian-looking shot with all the stuff cluttering the background. It needs an uber-goober smudge on the 'ol rims, though.
I passed out, fell, and bonked my noggin when I saw the blue theme in #16. It goes super-duper with the surprising amout of blue stuff in the background.Ya think they did that on purpose? Really modern and just awesome. One of the best.
The stripes are sweet! I've ne'er seen anyone else having a pic that looked like #18. So unique, it's definitely in the top five of this set.
As usual, I love the complexity present in #19. It looks like a TV commercial. It has a very nice palette and great composition. It's got street racer feel to it, despite the fact that it's daytime. I have to say that some drift pics would have helped satisfy the Japanese theme, but this set is great as it is. If you're ever running out of angles try a shot on a straight where the car is speed blurred and the background is still. That's always different.
I just read TVR's comment about the beach. I must be tired again because I started rolling!
So simple, so direct. Hilarious!