What movies have you seen lately? Now with reviews!Movies 

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Arcade Fire in general is pretty awesome, tbh. Though all the musis in the movie is done by Karen O the Kids, which though not as good as Arcade Fire, also has an indie sound that makes it very enjoyable.

Agreed...looking forward to it even more 👍
 
Today is a holiday here, so I've had a long weekend... but since I've no money to travel, I've gotten together with friends all weekend-long and watched some good movies. The latest:

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La Cité des Enfants Perdus (a.k.a. The City of Lost Children) (Marc Caro, Jean-Pierre Jeunet, 1995) -- One of the best examples of surreal cinema, and defintely a big recommendation from me if you're a fan of movies such as Brazil, Living on the Edge, 12 Monkeys, Pan's Labyrinth, Delicatessen (same directors), Dark City, and The Cook the Thief His Wife & Her Lover. Personally, I've always been a big fan of surrealism and this movie is not only among my favourites because of it, but the directors went on to film Le Fabuleux Destin d'Amélie Poulain after this one, which is also quite good, though not as surreal in theme. The movie is about a scientist who kidnaps children to steal their dreams, hoping that they slow his aging process. The actors in it are very recurrent in other good French movies, save for Ron Perlman, whom despite not really being a French speaker, has a great hero role in this one. In fact, in later interviews he's said he didn't know what he was saying. The movie's soundtrack sets perfectly with the scenery and the acting is superb, even by the kids, which just add to the greatness of this movie. I highly recommend it, since it's one of those movies I'll always remember and will always look forward to watching again and again... it's so visually impressive. 10/10
 


Invictus (Clint Eastwood, 2009) -- Nelson Mandela, in his first term as the South African President, initiates a unique venture to unite the apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup, and thus get the support people generate with sports teams in which colour doesn't matter. As much as I like Eastwood's movies, this one IMO isn't up to speed with the rest of them. There was a certain non-commitment from my part and I also thought it from the actors; also, Morgan Freeman as Mandela didn't work out, I think but then again, who else would've played him? TBH, as when I watch an Eastwood movie I'm expecting a movie that'll move me and make me think... this one seemed like a light sunday movie. 6/10
 
La Cité des Enfants Perdus (a.k.a. The City of Lost Children)I highly recommend it, since it's one of those movies I'll always remember and will always look forward to watching again and again... it's so visually impressive. 10/10

One of my favorite films of all time. Good call.



;)
 
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Chopper (Andrew Dominik, 2000) -- I have seen Chopper before, but I decided to watch it again last night. This is the movie that really cemented in the minds of most Australians that Eric Bana as a serious actor, not just a sketch show comedian. He really does make believe that he is Mark Read who is affectionately known as Chopper. The movie is brilliantly stylized and is well paced dark humor, making you laugh out loud unashamedly. My only gripe with this movie is not with the movie itself but the fact that it help elevate an already fairly well known dim witted criminal to an almost cult like status. As far a movie goes, it deserves a 9/10
 
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Groove (Greg Harrison, 2000) -- An inside look into one night in the San Francisco underground rave scene, and though it exemplifies well the music going around in the raves plus the many amazing DJs, it also exaggerates the usual crap that ignorants tend to revolve around when discussing the negative aspects of raving; stuff like all people in it are drugged on E or stronger stuff, everyone gets laid and no one does these raves for the money. Other than that, the movie is also a typical boy-meets-girl but this one takes place in a rave. Nothing too trascendental though the movie is fun, albeit too predictable. 4.5



Spun (Jonas Ă…kerlund, 2002) -- A pretty good movie as far as directorial debuts go, though Ă…kerlund has already made a name for himself directing music videos (like the infamous Smack My Bitch Up, by The Prodigy). The movie is ultimately a stoner movie, though not dealing with weed but more with coke and speed; it's about an out of control speed freak who is introduced his drug of choice's creator by his dealer and a massive three-day adventure ensues. The plots twists a lot and at times I didn't know what was going on, though the editing is top notch albeit at times a bit annoying... not the movie you want to watch if you've got a headache. Acting is pretty good, but the movie also has some good names in it (Brittany Murphy [acted really well], Mickey Rourke, Eric Roberts, Patrick Fugit, Peter Stormare, Mena Suvari and Jason Schwartzman). The movie also has some really cool cameos that make it entertaining and the people doing said cameos do it in a very singular way. Cameos are done by Billy Corgan (who also made the music for the film), China Chow, Rob halford, Tony Kaye, Ron Jeremy and Josh Peck. All in all, quite an enjoyable and probably underrated indie film.
 
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Tasogare Seibei (a.k.a. The Twilight Samurai) (YĂ´ji Yamada, 2002) -- Very impressive movie about a very poor samurai and his daily life and the obstacles he must face to lead a complicated life. In one sense it's a movie about the samurai way of life, though it's not a samurai movie per se (only 2 fights in the movie), but it's also a movie about being a father and sacrificing one's own self for your kids and the pursuit of love. All in all, a very wholesome and complete movie. A tad slow, but most Japanese movies are, especially those set in the 19th century and involving samurai culture. 8/10
 
I saw The Fourth Kind the other day, and it is a really good movie, i liked this movie alot more then paranormal activity.

9 / 10 for the The Fourth Kind.
 
I saw Kick-Ass at the movie theater last night. It was very entertaining, and very violent. Not your average superhero movie.

I would recommend it!👍👍
 


Au Revoir les Enfants (a.k.a. Goodbye, Children) (Louis Malle, 1987) -- A French boarding school run by priests seems to be a haven from World War II until a new student arrives, since the movie is old-ish and it's kinda hard to find, I'll let you know the boy is Jewish. The movie is about developing friendship amid German-ruled France and a boy's (and religion's) pursuance during the war. Excellent acting by all kids and a bit sad in general. Still, a movie we all should see. 8/10
 
Except Clash of the Titans came about 24 years before God of War existed. ;)

Ah, i didn't knew that. Thank you:tup:. On to the movie

Gojira (Godzilla) - 1954

It's about out Godzilla (ofc) and his rampage against Japan. Not much to tell, but the dialogues were very good and acting was sometimes a bit stale but good. For a 50 year old movie in black and white, i enjoyed it.

8/10

U should really watch this Tom Servo if u haven't 👍
 
I've seen a couple of Godzilla flicks from the 50s... don't think I've seen that one, though.
 
Gojira is on my list of movies to see, as I love old school Godzilla films, but there is a part of me that wonders if a solo Godzilla movie without Perry Mason Raymond Burr will feel as good after a lifetime of picturing Raymond Burr looking on sadly as the lone American witness to the events.
 


Armored (Nimród Antal, 2009) -- Boringly predictable movie about a newbie guard for an armored truck company who is coerced by his veteran coworkers to steal a truck containing $42 million. But a wrinkle in their supposedly foolproof plan divides the group, leading to a potentially deadly resolution. The problem is that every action becomes the most obvious one 15 minutes before it happens. It also has a mixed message, which doesn't lend itself to the ambiguity of the movie: the hero is a traitor who is rewarded in the end. On the other hand, the naivetè of the five experienced men inviting our hero the day before the scheduled date of a heist sounds very unreasonable. It is equally impressive how fat Laurence Fishburne is. 4/10



Un Prophète (a.k.a. A Prophet) (Jacques Audiard, 2009) -- A young Arab man is sent to a French prison where he will eventually become a mafia kingpin. Although the theme has been used many times, I can't think of one where the message is so clear. Right, it's a very hard and intense movie, full of raw action and insane amounts of blood, guts and death, but it's also a sensible movie, which lets you see the racial separation of French society and how foreigners tend to live completely outside the center. IN general it's hard to make this movie appeal to the average joe, but it has all the premise, the promise, the plot, the tension, the drama, the acting, the cinematography, the music of a great movie, and it delivers it so well. Despite having a very mean antihero, it's hard not to feel sympathy for him and the way he's become, while still managing to remain human. Excellent movie. 9/10



Siu nin Wong Fei Hung ji: Tit Ma Lau (a.k.a. Iron Monkey) (Woo-ping Yuen, 1993) -- Unimpressive plot, horrible acting, probably the worst English-dubbing, and laughable characters. Also, probably one of the most amazing movies I've seen in recent years, but mainly due to the fighting scenes. Between fights I was ready to turn it off and give it a 2 (or less), but whenever they started fighting, and they did it a lot, I just want to give it a 10. I don't think I have to tell you the fighting is relies much on fantasy and that for the most part, there's little blood, goucing and bone breaking involved, though the final sequence turns out to be quite bloody... a bit inconsistent for the movie, since it starts out with normal 'safe' fights. Still, an amazing martial arts movie. 9/10

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Festen (a.k.a. The Celebration) (Thomas Vinterberg, 1998) -- First of all, this is a Dogme 95 movie... I didn't know what it meant either, but apparently it's a filming technique in which there cannot be any non diegetic (artificial) sounds added, no post-production, no bringing props onto the set, and no use of special lighting, also the camera needs to be hand-held. Needless to say, it's a very DIY approach that seems to work out for the creators, since Festen is a very powerful film. It's about a father's 60th birthday party, where some unpleasant family truths are revealed by the man's son and daughter. Stories like his father sexually abusing them when they were children and murdering his daughter after. Little more will I say on the plot other than it's a very mature subject and that should you decide to watch it, you should be prepared for some intense scenes. The Dogme 95 technique also adds a lot of uncertainty and mystery to the plot as well as making the viewer feel the same mood as is being happening in the movie, but also adds a sense of realism to the whole movie. Being the first movie of the Dogme 95, it's also a piece of cinematic history. 8/10
 
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Seeing this movie is just being released at the moment, I won't say too much. All I can say is that I was glad my friends told me the first one wasn't any better. This way I don't have to go through this again.


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I accidently forgot this was movie V, so I watched The Half-Blood Prince prior to this one. I never like the 3rd and 4th movies, and the 6th one wasn't any better. I actually thought the 6th movie was kind of rubbish to be honest. The thing I missed from the 1st and 2nd movies was all of the magic, in the other ones it all just disappeared and it all turned into some dull action thingy. However, I do think this 5th movie was better though, has to be the best after the 1st and 2nd movies. I kind of re-experienced that magic that was present in the 1st and 2nd movie. I really liked it! 👍
 
Gojira is on my list of movies to see, as I love old school Godzilla films, but there is a part of me that wonders if a solo Godzilla movie without Perry Mason Raymond Burr will feel as good after a lifetime of picturing Raymond Burr looking on sadly as the lone American witness to the events.

There over more than 25 Godzilla movies and im planning to watch them all. I don't even mind the black and white.
 
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Quite a while ago I watched Twilight
Now before you start bursting out in laughter the ONLY reason I watched this was because I was curious. With some people saying it's good(14 year old girls) and some saying it's bad(everybody else) what was I supposed to know? To be honest I didn't want to hate on a movie for no reason, so that's the reason I watched it.

Right the review. It was... boring. Everything was shot in a grayish-blue looking filter and it was just so dull... Just people talking about things and stuff I don't know or care. The story didn't interest me at all. The only interesting thing was a fight at the end and even that was rubbish. And it ended in about a minute. Great.
3/10

You can now officially hate on it. :lol:


Did I mention that I hated it?
 


Siu nin Wong Fei Hung ji: Tit Ma Lau (a.k.a. Iron Monkey) (Woo-ping Yuen, 1993) -- Unimpressive plot, horrible acting, probably the worst English-dubbing, and laughable characters. Also, probably one of the most amazing movies I've seen in recent years, but mainly due to the fighting scenes. Between fights I was ready to turn it off and give it a 2 (or less), but whenever they started fighting, and they did it a lot, I just want to give it a 10. I don't think I have to tell you the fighting is relies much on fantasy and that for the most part, there's little blood, goucing and bone breaking involved, though the final sequence turns out to be quite bloody... a bit inconsistent for the movie, since it starts out with normal 'safe' fights. Still, an amazing martial arts movie. 9/10

Ah, Iron Monkey... also a Kung Fu Classic... :) I agree with you 100%, story and acting could be better... but in these types of movies its about the fighting and the fight scenes in this movies are done very well... 👍 Also one of my favs! I dont recommend Iron Monkey 2 though... It was done by a different director and is very bad compared to this one... fight scenes are not done well so its hard to follow the action, unlike the first one.
 
I suppose Iron Monkey was Ironman before he evolved...:lol:
 
Ah, Iron Monkey... also a Kung Fu Classic... :) I agree with you 100%, story and acting could be better... but in these types of movies its about the fighting and the fight scenes in this movies are done very well... 👍 Also one of my favs! I dont recommend Iron Monkey 2 though... It was done by a different director and is very bad compared to this one... fight scenes are not done well so its hard to follow the action, unlike the first one.

I wasn't expecting much of it, but a sequel off it should only top it off in fighting, and if they can't manage even that, not worth the effort.
 
There over more than 25 Godzilla movies and im planning to watch them all. I don't even mind the black and white.
I have seen a very large number of them, I even have a boxed set on VHS with five of them.

I was referring more to the fact that the American version of Godzilla: King of Monsters with Raymond Burr (1957) is basically just a re-edit of Gojira (1955) with new scenes featuring Raymond Burr. Having not seen Gojira I can't say just how different the two movies are, but I know the storylines are supposed to be very, very similar.
 
Iron Man 2

Let's be totally honest here: I was't too impresed wih the first IRON MAN. After a really good first act, the film just fell to pieces. It went from a decent, if unoriginal, set-up to a generic superhero film pretty quickly. It was Robert Downey Jnr. that made the second and third acts watchable, and even then, I was starting to grow bored with it. As such, going to see IRON MAN 2 was an impulse decision, made because I had nothing better to do with my Thursday night.

IRON MAN 2 is like an Italian soccer player. It's gifted, it's flamboyant, and when it falls, it knows how to act in a way that convinces the referee that someone fouled it. The writers and the director seem to be aware that Downey Jnr. made the first film, and they play that card very well. In fact, they know all of the first film's strengths, and they play each one expertly. If anything, the film is perfectly aware that it is pulp, and doesn't try too hard to hide it (like DAREDEVIL did). Rather, it ups the ante in a very tongue-in-cheek way. Because this film has what many superhero films don't: a sense of humour. The audience usually had a good laugh in almost every dialogue scene, and all of it was genuinely funny. None of it was telegraphed; no-one saw the jokes coming.

Story-wise, I won't go spoiling too much, other than that it runs afoul of the same pitfall Tim Burton did with BATMAN RETURNS. There's a scene in that film where Catwoman suggests destorying Batman's credibility, and the Penguin takes this to mean they should frame him. As soon as that happened, the story stopped. There was nowhere to go - when you frame the hero, the hero will lways clar his name. THE DARK KNIGHT, on the other hand, did exactl as Burton should have done: the villain stripped away everything Batman loved, destoryed everything he had sought to create to see what Batman did. I'm sorry I got side-tracked with that, but it's an important point to make, because IRON MAN 2 has realised this. The villains know that framing Tony Stark won't do anything, but they do realise that there are better was to destroy his name. Sadly, it just doesn't quite make it across the line. The film gets caught up in the traditional grandiose end-of-film set-piece, and while it's not disappointing, there's not too much difference between it and the original. In fact, the overall storyline is very similar to the first. It's also very linear; there's never too many things going on at one time (it's a pet hate of mine when films follow six different groups of characters at an one time). Perhaps a little too linear, because the film only needs to check back on sub-plots very occasionally. It's also clearly setting up THE AVENGERS film (with Joss Whedon directing!), but it never commits te cardinal sin of fousing too much on tha (or even being obvious about it).

Now, for the action. It's very much like the first TRANSFORMERS film, and that's meant as a compliment. The reason why the first TRANSFORMERS film worked was that despite the fact that Michael Bay was directing it, each action sequence knew where it had begun. They were ambitious, but they were also fairly level-headed about it all. Then REVENGE OF THE FALLEN came along and all of that went out the window. IRON MAN 2 subscribes to the first train of thought and remembers what it's doing. It's not without its shortcomings; there's occasionally some dizzying camerawork that makes it a little hard to see what's happening (a top-down view of Scarlett Johansson spinning one way as the camera spins the other, for instance), possiby to avoid showing the stunt doubles too clearly. It's remniscent of Alex Proyas using dizzy cameras in I, ROBOT to sex up band shooty scenes. Fortunately, Favreau only uses it occasionally.

In terms of the acting, well, it's all pretty good. Don Cheadle is under-used, as is Mickey Rourke (who at least makes up for it by having interesting make-up). Scarlett Johansson doesn't do too much except help Samuel L. Jackson do stuff. Gwyneth Paltrow just keeps going as if she shot all her scenes for IRON MAN 2 at the same time as she did the first film, but Sam Rockwell stands out as the exceptionally kooky Justin Hammer. The writers went to town with writing his part, and Rockwell responded perfectly. But once again, Robert Downey Jnr. is the heart and soul of the film. Without him, there is nothing.

Overall, IRON MAN 2 feels a bit too "safe". It knows what works and is content to keep chugging along without trying anything new (there's a great subplot from the canon where Tony Stark depends on the Iron Man suit to keep himself alive twenty-four hours a day thawould have worked well here, but it was untouched). It's not a bad film by any means. Quite the opposite. It's fun, and for what it's worth, it's good. But it lacks that extra punch to make it ground-breaking.

7.5/10
 
^^^ Nice write up... looking forward to seeing that movie myself. :)
 
Great write up, interludes... the kind of write up I love reading 👍

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The Six Wives of Henry Lefay (Howard Michael Gould, 2009) -- How the hell did I get stuck with this movie? I remember I got it some time ago because I heard from someone who said it was good, yet as the time to watch it drew upon, I couldn't help noticing IMDb gave it a 5.2, still I endured and decided to give it a go. Tim Allen plays a guy who's been married 5 times and dies, so the 6 wives (he was married twice to one) go on endless ctafights, screaming matches and general idiocy to decide who gets to perform the last rites. Elisha Cuthbert is in this (she plays the daughter) and even she (in all her hotness) doesn't manage to save this movie from making you wish you were dead as well, except can you guess who is not dead? Elisha plays what appears to be a 40-year-old prude who is only 20 years old. The soundtrack also tries to ellicit drama with a bunch of acoustic tear-jerking songs, while the whole movie plays like a very stupid comedy. Also, at some point during the movie, the six wives, meaning the whole alleged reason why this movie was made, lose all importance and the movie becomes a coming of age flick. As for Tim Allen, the alleged heart-throb of all these wives, there really is no excuse for his acting to be such crap, really hitting rock bottom as the movie goes on. I guess I should congratulate myself for not turning it off. 2/10
 
I didn't know Iron Man 2 was coming to the theatres this weekend. I might go watch it tomorrow night.
 
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I think someone posted this earlier in the Guess that Movie thread, but I just watched La Haine.

It's a great film - similar in themes to Boyz 'n' The Hood and American History X, and a number of other films which evade my recollection at the moment.

I don't have much to say about it other than it's a decent social commentary, if already familiar. The film itself has good performances and some charming characters throughout, however it drags a little bit—perhaps to reiterate the aimlessness of their lives—but can be trying on patience.
 
There over more than 25 Godzilla movies and im planning to watch them all. I don't even mind the black and white.

I dunno, there's a crapload of Skyline GT-R videos on YouTube. :sly:

EDIT: Nice review interludes, but the thing that's putting me off seeing Ironman 2 is the fact that it got 1/5 in The Irish Daily Mirror's review of it today.
 
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La Haine.

Excellent movie. I've seen it about 3 times and it just keeps getting better and better. Above all, I think the casting is one of the best traits in this movie; characters are believable, highly characteristic of the French minorities and they behave as you'd expect.
 
It's been a while since I saw this and I just never bothered writing it up.

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Transformers: Revenge of the Fallen - (3/10)
Michael Bay isn't even trying now. None of it made sense. None of it. It all starts with a pot brownie eating mom and stupid romantic comedy "You say it first" BS. Can we at least make the humans seem real? Then we have Bumblebee who only shows up to help when you scream his name, not when he hears gun fire. And then, because he is in disguise and they are keeping the Autobots a government secret, he blows up half the house. Then he...cries?

And that is just the first few minutes, and I left out the "punk ass Decepticons" stuff, the Dufus and Dummy twins, and a small robot humping Megan Fox's leg. And I will never forget John Torturo speaking the line, "I am standing beneath the robot's scrotum." That defines the entire movie.

But none of this addresses the fact that there are huge continuity issues, like when Sam is being attacked by Megatron the military comments on how every one of the Transformers is heading in that direction, but then only Bumblebee and Optimus show up. So then Optimus winds up in a fight against three or four other Decepticons. Where did all the other Autobots go? Even if it were explained, why would they not all go to protect Sam?

And then we get jetfire, who is apparently an old Scottish warrior, judging by his voice, that inexplicably begins creating space bridges with no explanation. Just boom! Sure, I know what a space bridge is in Transformers lore, but I guess Bay felt the need to make sure that even the non- old school fans, who liked the first film, were utterly confused. If the immense number of new robots showing up wasn't enough, that is. Speaking of, Devastator. What does he do? Other than suck...sand. Apparently you just need to hide behind scrap metal and cargo containers to get away from him.

And that brings us to the titular character, who I understandably nearly forgot, The Fallen. We get this whole background mythology surrounding him, only to have him show up and...um...it's been a while. Oh yeah, a completely forgettable fight scene. The climatic, big fight happened less than halfway into the film and in the end we get to find out this greatly feared Fallen is nothing without his doomsday machine . What the heck?

Now, the camera work. I wish I could say the fight scenes were awesome, but the camera zoomed in on robotic knees and shook and swirled about to the point that I could not tell who was who anymore.

Look guys, I know some of you love good looking women and big explosions, but this movie doesn't deserve any money, nor will its inevitable sequel.
 
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Banlieue 13 (District 13) 2004

Walls are put up around the worst parts of Paris and the worst of the worst (sir! With honors! :p) is District 13. LeĂŻto is a generally decent guy who doesn't want the drugs, that are so rampant around B13, around his house and is determined to take down the local drug lord. On the other side of the law is Damien. He's a Captain and specializes in undercover work, but is given the job of finding and disarming a bomb that was stolen and is inside B13.

In typical buddy movie fashion, right from the start you know very well these 2 guys are going to have to work together, Damien will have to get a little dirty, LeĂŻto will have to get a bit clean and in the end will come out on top. Even though it's an old formula, the couple of the fight scenes and Parkour bits fit very well with the story as opposed to non-stop running and punching. Add in that both David Belle and Cyril Raffaelli can actually do the Parkour moves without wires and such and it becomes a bit more incredible.

8.5/10
 

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