Isn't it funny how Fargo (a Coen Bros. movie) is in the IMDb Top 250 at #120, with over 100,000 votes between 8 and 9. No Country for Old Men is at #130, with almost 120,000 votes between 8 and 9. The Big Lebowski at #132, and True Grit, while not in the Top 250, was nominated for 10 Oscars. And a score of other movies which while not being in the Top 250, are really good.
I like the Coen Brothers. Until True Grit I greatly enjoyed the films that I have seen of theirs. But after the dry soaking I started watching True Grit for issues. Sometimes a large error like that sends up a flag and has your crap detector on full.
Don't get me wrong, it isn't as bad as Twilight (What was up with armadillo?) or a Michael Bay film (seriously, someone explain the Transformers trilogy without sounding mentally damaged), but I can't believe that happened in a movie nominated for awards.
Battle: Los Angeles - (5/10)
OK, as I was watching this I was thinking this was some sci-fi writer's attempt at being pretentious. Then I watched the special features and listened to the director describe it as a war docu-drama that just happens to have aliens. Ah, that explains the shaky cam, overly smokey shots, and the insane Sergeant Badass scenes. Someone tried to be creative, and failed...miserably. Nausea inducing shaky cam hits early on, made worse by tons of unexplained smoke, and some story points even taken from Band of Brothers. Then add in an Air Force information tech that shows up randomly and expects us all to believe that Michelle Rodriguez is some kind of special operative reconing alien tech, but then when the information needed to identify an alien weakness shows up (so obviously that we can all see it coming) she doesn't notice it, but a Staff Sergeant does. So, pointless character other than to deliver poorly written lines.
Premise: Good
Basic Story: Good
Dialogue: Awful
Camera work: Horrible
Direction: What direction?
If you want the alien invasion story told 100% from a Marine platoon's POV and can ignore bad camera work and dialogue it has tons of potential to be good.
And to kind of wrap my week in a nice package:
Battle of Los Angeles - (2/10)
OK, this is The Asylum, but where they make awesome bad creature features they cannot make sci-fi films. Effects were horrible. The story stole blatantly from Independence Day while the title obviously cashed in on people not paying attention on Netflix. To point out some of the horrible: the Air Guard base looks a lot like a rock quarry, as does the secret Area 51-like base and every other location, the Air Guard base commander is a bumbling fool who tries to shoot down alien ships with a six shooter and takes time to pull the hammer back each shot, and holds up all jets on the ground to yell at a guy having a panic attack. Then a guy shows up from the
1942 Battle of Los Angeles and no one blinks an eye. Everyone kind of goes, "huh" and then someone says he hopes he didn't have a girl waiting for him.
While their creature features make me laugh I had trouble staying awake through this one.
And finally:
No Strings Attached - (4.5/10)
Predictable. Predictable. If you don't know what's coming next you might like this film: Predictable. Imagine a story where two people try having sex without emotions getting involved. And you're done. Ivan Reitman, I am ashamed to call myself a fan, but I'll just go watch Ghostbusters again and all shall be forgiven.