Sorry for the long post
If anything, at least 'International' cinema (as in not American) tends to be able to push the envelope further, be it that there's less censorship or that the scope is even more creative than your average American movie. I think that is one trend Euro and Asian cinema will always have above the rest, and it's a very good trend. Whether it makes more money because it's more explosive, I'll agree that it shouldn't be the case.
But there's also the case of movies being good enough in their original language and then getting butt raped when the remake is done for American audiences: Like
[REC] (remade as
Quarantine),
La Femme Nikita (remade as
Point of No Return),
A Bout De Souffle (remade as
Breathless),
Get Carter (remade by the same name) and
Abre Los Ojos (remade as
Vanilla Sky). As it also happens with remakes that just destroy the original, regardless where they came from.
In other news, I just saw this one:
If.... (Lindsay Anderson, 1968) -- The story about a revolution lead by pupil Mick Travis takes place at an old established private school in England. Look at it as a
Dead Poets Society that doesn't suck and in which the students (thankfuly) don't resort to poetry and wisdom to take over the viewer's heart, but through good, old fashioned violence. At the time of its release it was one of the most disturbing films ever, to the point that the then Lord Brabourne read an early draft and called it "the most evil and perverted script I've ever read. It must never see the light of day".
In fact, Paramount hated the film when they saw it and tried to dump it from cinemas. However, one of their tentpole films,
Barbarella (1968), turned out to be a spectacular flop so they needed to replace it in cinemas with something else. Reluctantly, they wheeled out
If... and were astonished to see it turn into a big critical and commercial success.
The movie is very good and funny at times, but it's never one to leave you indifferent. A definite must for the whole 60s pop culture. 8.5/10