- 34,816
- NoDak
- Cy-Fi
I'm just about to start it.Right now I'm watching The Ridiculous 6
Perhaps I shouldn't...I don't know why I didn't shut it off an hour ago.
I'm just about to start it.Right now I'm watching The Ridiculous 6
Perhaps I shouldn't...I don't know why I didn't shut it off an hour ago.
It's not horrible, it's actually shot real good and the cinematics are good. It's 2 hours long and could be 1.5 at the most. It's better then a lot of the stuff he's been putting out, but still subpar for me.I'm just about to start it.
Perhaps I shouldn't...
After finishing it last night, I couldn't agree more. It played out too long and while it had its moments, it was largely forgettable.It's not horrible, it's actually shot real good and the cinematics are good. It's 2 hours long and could be 1.5 at the most. It's better then a lot of the stuff he's been putting out, but still subpar for me.
I tried to warn you in a subtle type of way. . At least we have several more Netflix exclusives by him coming our way.After finishing it last night, I couldn't agree more. It played out too long and while it had its moments, it was largely forgettable.
3/10
Honestly, why do people think that's a badass nickname? It's not. It sounds like something a twelve year-old thinks is a cool nickname in Call of Duty and is now trying to get all of his friends to call him "Iceman".I just watched "The Iceman"
I don't know why people think it's cool. He got the nickname "the iceman" because he would freeze his victims bodies for long periods of time before he would dump the body to throw off the time of death.I'm currently very annoyed - I was looking forward to seeing Quentin Tarantino's The Hateful Eight this week, but then discovered that the Australian release has been pushed back to 21 January.
Fargo
I'm a big fan of the Coen brothers, but it took me quite a while to get around to watching Fargo. It's not bad, but it's eclipsed by some of their later films. I always liked the way they try to present things as just being one part of a wider world - as opposed to something like The November Man where the characters are the only ones affected by the events around them, creating an impression that they exist in a bubble, and so for all intents and purposes, they are the only people in the world - but here it's lacking the subtlety needed to make it convincing, so you get a stream of sub-plots that don't really go anywhere (which isn't helped by a short running time). But the film still has the Coens' grounded-in-reality approach where the criminals think they're so clever, but the police easily catch them.
Non-Stop
Liam Nesson on an airplane. It goes exactly how you'd expect it to - Irish brogue and arses kicked. He's a damaged federal air marshall who becomes convinced of a threat on-board a plane while the rest of the world becomes convinced that he is the threat. The film does try to do something interesting with the inherent flaw in all frame-the-hero plots (ie, there is always one piece of exculpatory evidence that will prove the hero's innocence), but doesn't give the audience enough to work with. Ideally, you should be able to work the mystery out for yourself (and in this case, seriously suspect Nesson), but there's nothing there and so all you can do is watch Nesson figure it out. You get none of the thrill from beating him to the conclusion.
Honestly, why do people think that's a badass nickname? It's not. It sounds like something a twelve year-old thinks is a cool nickname in Call of Duty and is now trying to get all of his friends to call him "Iceman".
In terms of setting, maybe. But thematically, there is an enormous gulf between the two and I don't think that they are really comparable. The 100 is based on a series of novels aimed squarely at teenagers, and is in the same company as the likes of The Hunger Games, Divergent, The Maze Runner and The Giver. None of these titles do anything extraordinary, since the underlying message is exactly the same: that a single individual can consciously impose great change upon the world without conforming to society's demands or compromising their own sense of identity. It's a message that the teenage readership lap up, because it is consistent with their own search for identity as they move towards adulthood. I don't think any of that is remotely present in Fallout.The 100: Season 1 and 2. If you like Fallout games, you will most likely enjoy this show. There are a lot of similarities.